Business News

More MA onPC command wings for Staging Connections

Posted on Thursday, July 31st, 2014

Perth is the latest Staging Connections branch to receive MA onPC command wings with the company owning quite a collection of these little beauties nationwide.

“We really like the small footprint of the MA onPC command wing especially for those jobs where the space is too tight for our MA2 light consoles,” commented Rocco Anzellotti, technical director of Staging Connections. “The MA onPC command wing is perfect particularly as the touch screen is in line with the width of the wing.”

According to Rocco, operating the MA onPC command wing is exactly like running a MA2 which is very useful for his crew who in the past, have sometimes stumbled with different control surfaces.

“Everyone is comfortable with the MA2 platform – they have all their own profiles, we have all of the fixtures and everyone has no trouble going from one to the other,” he said. “Our initial idea was to purchase the MA onPC command wings for our smaller shows incorporating up to ten moving lights and that is working well. However, we are also putting our MA onPC command wings on bigger shows where we know we don’t require so much heavy programming and few pages. Sometimes the guys put the virtual faders up on the touch screen and use those for extra faders.”

The MA onPC command wings are also used as backup consoles for the main MA2 consoles.

“We love the idea of running CAT5 as a front of house cable and we hardly ever run any long DMX from front of house anymore,” added Rocco. “We run CAT5 down to MA NPU’s or MA NSP’s, in fact we love the NPU’s. We also have MA 2Port Node onPCs and all sorts of MA accessories too.”

Rocco reports that the consoles have been 100% reliable and that the software is very stable.

Staging Connections also purchased some MA 2Port Node onPCs for a fit out of the Shangri-La Hotel enabling the MA onPC command wing to be run in full mode or in two breakout room modes, and Rocco loves this ability to be able to easily divide the system.

Another MA2 light was also purchased for installation into The Ivy in Sydney.

www.showtech.com.au

 

ResX is all abuzz with new B-Eyes

Posted on Friday, July 18th, 2014

ResX is excited to announce the arrival of their first shipment of Clay Paky B-Eye K20s.

After trialling the units on this year’s Logies awards the team couldn’t wait to get their hands on the B-Eyes.

“This is the first fixture since the Sharpy that has made me go ‘wow’ out loud. They are an exciting fixture and look forward to seeing them in action.”
Tim Hall Managing Director of Resolution X

The B-Eye K20s offer versatility being a zoomable RGBW wash fixture with plenty of grunt. While also offering a spectacular range of effects and beam looks, created by the 37 individually controllable 15watt LEDs teamed with the rotating lens system. All this means the K20 is three lights in one, a wash, a beam and an effect light.

www.ResolutionX.com.au

 

Astera names exclusive Australian distributor

Posted on Monday, July 14th, 2014

Astera has appointed Bluebottle as the exclusive distributor of its wireless event lights in Australasia. Bluebottle is based in Melbourne, Australia, and will serve mainland Australia, New Zealand and other Australasian islands. Bluebottle has been working with Astera since 2010 and this partnership will serve to enhance the sales, distribution and support of Astera’s wireless event lighting range in the Australian market.

“The addition of Astera to our current portfolio significantly enhances our sales outlook as it allows us to provide an even more comprehensive array of audio/visual solutions to our customers,” commented John Salisbury, associate director at Bluebottle. “We are committed to bringing this expanded offering to new and existing customers while also ensuring they receive the same level of service and support that they always have from our team.”

Commenting on the partnership, Blaine Holloway, regional sales manager at Astera, said, “We look forward to the opportunity to partner with Bluebottle, who provide a high-end platform for customers to appreciate our products. Bluebottle’s strong market knowledge and support is a huge benefit to our customers in the region. There is not a more qualified partner in the region to represent Astera and help fulfil our mission to provide the most reliable wireless lighting solutions available.”

www.astera-led.com
www.bb3.net.au

stera has appointed Bluebottle as the exclusive distributor of its wireless event lights in Australasia. Bluebottle is based in Melbourne, Australia, and will serve mainland Australia, New Zealand and other Australasian islands. Bluebottle has been working with Astera since 2010 and this partnership will serve to enhance the sales, distribution and support of Astera’s wireless event lighting range in the Australian market.
“The addition of Astera to our current portfolio significantly enhances our sales outlook as it allows us to provide an even more comprehensive array of audio/visual solutions to our customers,” commented John Salisbury, associate director at Bluebottle. “We are committed to bringing this expanded offering to new and existing customers while also ensuring they receive the same level of service and support that they always have from our team.”
Commenting on the partnership, Blaine Holloway, regional sales manager at Astera, said, “We look forward to the opportunity to partner with Bluebottle, who provide a high-end platform for customers to appreciate our products. Bluebottle’s strong market knowledge and support is a huge benefit to our customers in the region. There is not a more qualified partner in the region to represent Astera and help fulfil our mission to provide the most reliable wireless lighting solutions available.”
 

ALIA 2014 Annual General Meeting

Posted on Tuesday, July 8th, 2014

The 2014 ALIA AGM will be held at 4:30pm on Wednesday 23rd of July in a meeting room at the Entech Connect Show in the Royal Exhibition Building, Melbourne.

The meeting will present a review of the progress that ALIA has made in the last 12 months and, more importantly, provide an opportunity for members to influence the future direction of the association through the election of committee members.

All committee positions: President, Vice-President, Treasurer, Secretary and six ordinary committee members, are open for nominations and election. This is your opportunity to have an input to the direction of ALIA. Due to our members’ wide geographic dispersion and frequently frantic work-habits, the 2014 election of office bearers will be held by a combination of email, fax, and personal voting at the meeting.

Nomination forms for all committee positions are available for downloading.

Full meeting details on the AGM page

 

Martin M1 in control at John Paul College

Posted on Monday, July 7th, 2014

Queensland’s John Paul College has always made the performing arts a priority to the point where it now attracts students choosing performing arts as a career path.

During the past three years their main 220-seat auditorium has been going through the process of refurbishment and recently the college were able to fund the purchase of a new lighting console.

“We’re constantly looking for the ability to teach our students how to use standard industry equipment,” remarked William Wallace, School Of Performing Arts Facilities and Technology Coordinator. “We have a stock of lighting already and the idea was to buy a console with the view to adding more lighting in the future. Ideally we’d like to purchase moving lights and also be able to move our lighting equipment around the campus as there are other venues we need to do shows in.”

With that in mind, William looked no further than the Martin M1 console which offers the full power of a larger console and the agility of a smaller one.

“I was familiar with the Martin M1 as crew that come in to do our productions usually had one and they recommended it,” added William. “For me, it was a case of what I know and it’s very straight forward and intuitive. In fact the M1’s ease of use is incredible. The level of fixtures inbuilt in it already is amazing; we have some cheap Chinese lights purchased quite a while ago and I wasn’t expecting to find them inbuilt into the console but they were. The level of depth Martin have gone to with pre-loaded fixtures and the ease of use to load them up ready to use has been great and very straightforward.”

William is also impressed at how simple it is to show his students how to operate the M1, particularly with the touchscreen, and he says that they pick it up very rapidly.

Kosmic Sound Light Vision supplied the M1 console to the college.

www.showtech.com.au

 

Chromlech in liquidation

Posted on Friday, July 4th, 2014

Chromlech, the French manufacturer behind innovative LED lighting products such as Jarag and Elidy, has gone out of business with the loss of 14 jobs. NKown as an innovator of lighting products, Chromlech enjoyed great success with its Jarag line of LED modules, which sold well for years, and still selling right up to the company’s demise. Gleamer, a dimmer dedicated to low-voltage lighting, won a PLASA Award for Innovation in 2011. Then came Elidy, a striking 5×5 LED matrix tile producing warm white beams of light, launched at the PLASA Show in 2012.
However, copies of the Elidy concept, made in China, began to appear on the market with months of the product’s release, and Chromlech found itself unable to take legal action to protect their intellectual property. Two patents covered Elidy – one for the technology and one for the design, or form factor. Unfortunately for Chromlech, their technology patent application was still pending and the differences introduced by the Chinese manufacturer to the form factor of its product – which was a 7×7 matrix instead of a 5×5, and also incorporated other minor design changes – meant that the design protection was also likely to be side-stepped.
Eventually, as the cheaper product took hold in the marketplace, at around 50% of the cost of Elidy, Chromlech’s project and sales leads evaporated. In June, Chromlech announced to its sales partners that the company had finally been forced to cease operations.

Chromlech, the French manufacturer behind innovative LED lighting products such as Jarag and Elidy, has gone out of business with the loss of 14 jobs. Known as an innovator of lighting products, Chromlech enjoyed great success with its Jarag line of LED modules, which sold well for years, and still selling right up to the company’s demise. Gleamer, a dimmer dedicated to low-voltage lighting, won a PLASA Award for Innovation in 2011. Then came Elidy, a striking 5×5 LED matrix tile producing warm white beams of light, launched at the PLASA Show in 2012.

However, copies of the Elidy concept, made in China, began to appear on the market with months of the product’s release, and Chromlech found itself unable to take legal action to protect their intellectual property. Two patents covered Elidy – one for the technology and one for the design, or form factor. Unfortunately for Chromlech, their technology patent application was still pending and the differences introduced by the Chinese manufacturer to the form factor of its product – which was a 7×7 matrix instead of a 5×5, and also incorporated other minor design changes – meant that the design protection was also likely to be side-stepped.

Eventually, as the cheaper product took hold in the marketplace, at around 50% of the cost of Elidy, Chromlech’s project and sales leads evaporated. In June, Chromlech announced to its sales partners that the company had finally been forced to cease operations.

www.chromlech.com

 

Martin M2GO and RUSH MH2’s for P.S.I Audio

Posted on Wednesday, July 2nd, 2014

P.S.I Audio in Western Australia purchased four Martin RUSH MH2 Wash fixtures to add to their burgeoning lighting hire inventory.

“And we’re definitely going to buy some more RUSH fixtures in the near future!” commented Ryan Miller of P.S.I Audio. “The MH2’s are very compact and light which means they are easy to maneuver and that’s great for corporate work. They may be small but they are super bright and I also really like that they can do pastel colours. However the best feature is their amazing price – the quality for the price is unbelievable.

Compact yet powerful, the fast and agile RUSH MH2 LED wash light moving head features RGBW colour mixing. Unique wash beam effects are possible with auto trig shows and music trig sound activation.

The portable Martin M2GO lighting console was also supplied to P.S.I Audio. It offers a professional level of features and has been developed with cost, ergonomics, feature set, size and weight in mind.

“At the moment we’re not massive in the lighting industry and so we were looking for a beginner’s console with the total show experience,” said Ryan. “The M2GO is easy to operate and get your head around. It’s a really good all-rounder console – small, portable, quick to set up and easy to patch.”

www.showtech.com.au

 

Robe MiniMes for Australian Old Parliament House

Posted on Monday, June 23rd, 2014

Four Robe Robin MiniMes — Robe’s compact effects luminaire with video — have been supplied for use throughout the Museum of Australian Democracy (MOAD) located at the Old Parliament House Building in Canberra, ACT, by Elite Sound & Lighting, also based in the city.

The fixtures are mobile and are being used for a variety of applications involving temporary exhibitions and small events which are constantly staged in the venue.

Elite is one of Australia’s leading rental companies and the company has a substantial number of Robe products — nearly 300 moving lights — in regular hire stock.

Elite managing director Darren Russell explained that they have also enjoyed a close working relationship as the in house audiovisual provider for external clients within the venue and also as a supplier to MOAD, which includes introducing them to new, interesting, and appropriate technologies as and when they come to the market.

This is exactly what happened with the MiniMe. The Elite team first saw the innovative MiniMe at Frankfurt in 2013 at Prolight + Sound where it was launched and as soon as the units were available — via Robe’s Australian exclusive distributor The ULA Group — they took delivery and arranged a demo at MOAD.

The venue’s technical team was also suitably impressed and promptly ordered the first four MiniMes, which was also the first MiniMe supply and sale for Elite.

The building — and the majority of its contents including furnishings and fabrics — is Heritage listed and therefore subject to a plethora of rules, regulations, and restrictions in terms of how technical equipment and lighting fixtures in particular can and can’t be used, when, and how.

“The MiniMe ticked all the boxes in that respect,” says Russell, “It’s small, light, portable, powerful, and very versatile — that’s what they need — ultimate flexibility.” He also mentions that the MiniMe optics are high quality and the units can be controlled either by DMX or in stand-alone mode, which further widens their scope.

So, the company says the MiniMes are making their very own little bit of history in being the first in the landmark building which has shaped so much of Australia’s political history.

The MOAD events team is delighted and the MiniMes have been in constant use for anything from visually illustrating lectures and seminars to creating effects at events and presentations where they are great for logo projections and other crossover lighting and video effects.

The MiniMe is an effects lighting luminaire with the addition of full video output. It is a small, neat, and fast moving fixture that is LED driven with a 20,000 hour lifetime source. Colors, gobos, and beam shapes are all digitally generated by the on-board micro-media server. Custom artwork, still photographs, and video content can be simply uploaded and used for projection, and live video can also be streamed through the HDMI input.

Old Parliament House is one of Australia’s best loved buildings, and housed the Parliament of Australia from 1927 to 1988.

The Museum of Australian Democracy brings the journey of Australian democracy to life — presenting its past, present, and possible futures via a range of interactive exhibitions, tours, and public programs that challenge and inspire.

Photo: Darren Russell, managing director of Elite Sound and Lighting, with Kevin Abbott, technical officer from Australia’s Old Parliament House

www.robe.cz
Australian Distributor: ULA Group www.ulagroup.com

Four Robe Robin MiniMes — Robe’s compact effects luminaire with video — have been supplied for use throughout the Museum of Australian Democracy (MOAD) located at the Old Parliament House Building in Canberra, ACT, by Elite Sound & Lighting, also based in the city.
The fixtures are mobile and are being used for a variety of applications involving temporary exhibitions and small events which are constantly staged in the venue.
Elite is one of Australia’s leading rental companies and the company has a substantial number of Robe products — nearly 300 moving lights — in regular hire stock.
Elite managing director Darren Russell explained that they have also enjoyed a close working relationship as the in house audiovisual provider for external clients within the venue and also as a supplier to MOAD, which includes introducing them to new, interesting, and appropriate technologies as and when they come to the market.
This is exactly what happened with the MiniMe. The Elite team first saw the innovative MiniMe at Frankfurt in 2013 at Prolight + Sound where it was launched and as soon as the units were available — via Robe’s Australian exclusive distributor The ULA Group — they took delivery and arranged a demo at MOAD.
The venue’s technical team was also suitably impressed and promptly ordered the first four MiniMes, which was also the first MiniMe supply and sale for Elite.
The building — and the majority of its contents including furnishings and fabrics — is Heritage listed and therefore subject to a plethora of rules, regulations, and restrictions in terms of how technical equipment and lighting fixtures in particular can and can’t be used, when, and how.
“The MiniMe ticked all the boxes in that respect,” says Russell, “It’s small, light, portable, powerful, and very versatile — that’s what they need — ultimate flexibility.” He also mentions that the MiniMe optics are high quality and the units can be controlled either by DMX or in stand-alone mode, which further widens their scope.
So, the company says the MiniMes are making their very own little bit of history in being the first in the landmark building which has shaped so much of Australia’s political history.
The MOAD events team is delighted and the MiniMes have been in constant use for anything from visually illustrating lectures and seminars to creating effects at events and presentations where they are great for logo projections and other crossover lighting and video effects.
The MiniMe is an effects lighting luminaire with the addition of full video output. It is a small, neat, and fast moving fixture that is LED driven with a 20,000 hour lifetime source. Colors, gobos, and beam shapes are all digitally generated by the on-board micro-media server. Custom artwork, still photographs, and video content can be simply uploaded and used for projection, and live video can also be streamed through the HDMI input.
Old Parliament House is one of Australia’s best loved buildings, and housed the Parliament of Australia from 1927 to 1988.
The Museum of Australian Democracy brings the journey of Australian democracy to life — presenting its past, present, and possible futures via a range of interactive exhibitions, tours, and public programs that challenge and inspire.
WWWwww.robe.cz
 

Novatech Creative Event Technology add the newly released d3 Technologies 4×4 Pro to their fleet

Posted on Friday, June 20th, 2014

Novatech Creative Event Technology is pleased to welcome a game changing new addition to their fleet of d3 Media Servers; the newly released d3 Technologies 4×4 Pro.
Even before the purchase of their first d3 system in 2012, Novatech realised what a great new addition to their already broad capabilities this system would bring. Not only allowing an unprecedented level of multilayered simultaneous video playblack on both simple and complex 3d objects, but also providing a realistic previsualisation suite enabling clients to venture into the virtual world and explore their event without stepping foot into the venue weeks or months before the event.
With an impressive four 4k video outputs or sixteen HD outputs (and anywhere in between with user replaceable VFC Cards) and four HD-SDI or two 3G-SDI inputs featuring the lowest frame latency on the market, we are not kidding when we say game changer.

Novatech Creative Event Technology is pleased to welcome a game changing new addition to their fleet of d3 Media Servers; the newly released d3 Technologies 4×4 Pro.

Even before the purchase of their first d3 system in 2012, Novatech realised what a great new addition to their already broad capabilities this system would bring. Not only allowing an unprecedented level of multilayered simultaneous video playblack on both simple and complex 3d objects, but also providing a realistic previsualisation suite enabling clients to venture into the virtual world and explore their event without stepping foot into the venue weeks or months before the event.

With an impressive four 4k video outputs or sixteen HD outputs (and anywhere in between with user replaceable VFC Cards) and four HD-SDI or two 3G-SDI inputs featuring the lowest frame latency on the market, we are not kidding when we say game changer.

Novatech has seen extensive growth to their previsualisation and projections projects. Since having d3 on board, it has been responsible for an impressive list of events including the Samsung Smart TV Launch, Holden VF Commodore Launch, SA State Brand Launch and Vivid Sydney to name a few. The purchase of the newly released hardware was an obvious next step for Novatech to cope with the demand for the system.

In the coming months d3 will feature on a number of key events including a 360 degree immersive projection with a massive canvas size of 225m x 8m, and also provide playback on Australian Dance Theatres new stereoscopic show venture ‘Multiverse’.

“We were well aware of d3’s commitment to further develop their product over the past 12 months with new industry leading innovations in both software and hardware,” commented Jayden Sutherland, d3 Project Manager. “It’s impressive to finally see this come to fruition in the new server range.

“The biggest draw card for purchasing the 4×4 Pro was the I/O abilities and extremely high level of playback. The user replaceable VFC cards give you the option of running four 4k outputs or up to sixteen 1080p outputs, and anywhere in between. This means we can run some of the most complex shows from a single machine! To be able to drive enough content to all those pixels, the 4×4 Pro can run an equivalent of 32HD Video Layers. Impressive!”

Novatech are one of the first in the world to take delivery of the 4×4 Pro arriving June 2014.

www.ncet.co

 

Alive Technologies bring Clay Paky B-EYEs to Tassie

Posted on Wednesday, June 18th, 2014

Tasmanian-based Alive Technologies has purchased eight Clay Paky A.LEDA B-EYE K20 LED moving lights.

David Bell, managing director of Alive Technologies, had been looking for a cutting-edge technology fixture that would meet his unique requirements as well as create demand for hire.

“The B-EYE was the logical choice as it is so unique,” he remarked. “We have a limited market here in Tasmania so I wanted a versatile fixture that could be used in a diverse array of productions. The A.LEDA B-EYE K20 is ideal as it is, simultaneously, a state-of-the-art LED wash-light, an amazing “beam-light” and a projector for totally unseen, stunning graphic effects. So it can provide all of that in one show.”

Alive’s eight B-EYES had their major debut at Launceston’s Breath of Life concert featuring Public Enemy, Empire of the Sun and Macklemore & Ryan Lewis, as well as countless other acts and DJs.

“Everyone at the concert was very impressed by the B-EYEs, even the sound crew, and they performed fantastically,” reported David. “The colours out of the B-EYEs are superb and the film guys we work with are very impressed by the natural tungsten colours they deliver.”

David Szoka, systems tech at Alive, has had a few weeks to familiarize himself with the B-EYEs and is loving everything about them! He is particularly impressed by the wide 6° to 60° beam aperture offered by the B-EYE and the fact that the zoom can be closed even further, down to as little as 4 degrees.

“I love the zoom on the B-EYEs, it’s absolutely amazing,” he declared. “Being a small company, it means we can take less lights to cover more area. The colour you get out of the B-EYEs is beautiful and very consistent.”

David has been delighted by B-EYE’s stunning effect abilities whereby the front lens is rotated in either direction and at variable speed creating many little beams that can be unfolded or closed like petals. When colours and dynamic patterns are added, B-EYE generates countless kaleidoscopic projections, as no other LED fixture has ever done.

“The shapes and effects are great even in the daylight – you don’t have to have darkness and smoke to see them,” said David. “The effects are really easy to control. In fact I realized at the show that there’s more control function that I realized. And there’s still more to learn. I love that the effects themselves have built in crossfade or snap function, so you don’t actually have to program a cross fade or a snap, you just change it in the effects. That saves a lot of time.

“I couldn’t believe how sharp and bright the beams were and I was surprised at the speed of their tilt and the pan. The features are really easy to use. You don’t have to have one control channel at 2% and the next one at 55%, it’s all just simple and easy to use.

David also mentions that the versatility of the profiles they have built into them make them great for all levels of lighting experience; basic, shapes, extended, and extreme extended if you want to get down to a pixel mapping experience.

“As David Bell said, when we go shopping we look for something we can use in multiple places,” he added. “We can use these as basic wash lights for corporate dinners, throw in shapes, effects and patterns in the air and people are amazed it’s the same light. Plus the B-EYEs are a relatively low-wattage fixture with no heat issues which is always good.”

The third David is Dave Taylor, lighting designer for Empire Of The Sun and also the main stage at the festival. Dave was overjoyed to discover that he would have Clay Paky A.LEDA B-EYE K20 to play with.

“I had been looking at the B-EYEs the week before and wondered when I’d get to see some,” he noted. “Tasmania was probably the last place I expected to see some! I was most impressed by the output of them and of course, the effects modes are great but just being able to do the nice, subtle stuff with them has been great too. Not having to have the intensity at full all the time was perfect as I could save them for the big moments. I would have loved to have had more of them!! We’ll definitely use them again and I’m sure over the coming months, as Empire Of The Sun so the US and European summer festivals, I’ll see them on many stages.”

www.showtech.com.au

 

Ipswich Civic Centre adds extra flexibility to their MA Lighting control system

Posted on Monday, June 16th, 2014

Towards the end of 2013, the Ipswich Civic Centre purchased a MA onPC command wing and a MA onPC fader wing to add to their existing MA console stock.

Even though most of the productions handled at the Centre are in-house with grandMA1 and grandMA2 consoles, it became necessary to purchase a portable lighting control system to handle the smaller events throughout the venue here as well as some external events, without creating unnecessary wear and tear on transporting the larger consoles.

“The MA onPC command and fader wings have been a great addition to the infrastructure here at the Ipswich Civic Centre,” remarked David Finn, technical manager at the Centre. “The portability of the wings while retaining the strength of the MA software has been a huge asset to us.”

The MA onPC command wing paves the way for mobile use of the highly flexible and powerful grandMA2 control system. This portable solution offers realtime control for 2,048 parameters in combination with grandMA2 onPC. Designed as the perfect hardware expansion to the grandMA2 onPC software, onPC command wing enables the look and feel of the software to be as close as possible to a real grandMA2 console.

“We’ve discovered that the MA onPC command wing offers reliability, backup and flexibility plus it is not too expensive,” added David. “Obviously our tech crew are familiar with the MA control surface but even if they weren’t, it’s simple to learn.”

The MA onPC fader wing completes the mobile range of onPC products, with a mobile control solution that supplies real faders and executors in connection with the free-of-charge software.

www.showtech.com.au

 

Scene Change invests in Martin RUSH Par 2’s and MAC101’s

Posted on Wednesday, June 11th, 2014

Fast-growing national AV company Scene Change has increased its investment in Martin lighting products, building its Sydney lighting stocks with Martin MAC101’s and Martin Rush Par 2 RGBW Zooms.

Scene Change purchased the RUSH Par 2’s for their accurate colour mixing as these bright single-lens LED PAR Cans come with fully premixed colour from 12 RGBW LEDs and a spectacular 10 – 60 ° zoom. It offers electronic dimming and strobe and comes with a flexible bracket for floor or truss mounting.

“We have one large client who is very particular about their brand colour and we found that previous LED fixtures couldn’t deliver it,” said Vicken Hekimian, Sydney Director of Scene Change. “We’ve really found them to be a step up from what we’ve used before.”

Hekimian also likes the wide 100 to 600 zoom for its versatility, which helps get around the rigging restrictions in many hotel ballrooms.

Hekimian and senior lighting technician Jarrod Farr find the MAC101’s suit almost every kind of show, with the ability to get a lot of different looks out of a small package. They can light tables as a pinspot, sit on the stage, or light a party band in impressive style. Eight of them fit in a modest-sized roadcase, making them much easier to move around in vans than traditional moving fixtures.

“The MAC101’s are bright, fast, and lightweight, which is important for corporate shows where you don’t have a lot of time to set up or rehearse,” commented Vicken.

Their reliability has also impressed Jarrod, who uses the MAC101’s on a near-daily basis.

“We haven’t had one break down yet, which a major benefit for rental work,” he said.

Their commitment to new technology has seen Scene Change grow substantially in the last year, moving to its third new premises since the company opened in 2007. Scene Change was also recognised at the recent Meetings and Events Australia (MEA) Awards in Kuala Lumpur, taking out the Best Technical Production National Award for the third year running. This puts Scene Change into the MEA Hall of Fame, the only AV company to hold this accolade.

“Showtech have been a big part of the growth of our company,” remarked Vicken. “They’ve supported us since the start, and we have a level of trust that is really reassuring.”

www.showtech.com.au

 

Martin RUSH MH 3 Beams win the race for High Noon Productions

Posted on Friday, June 6th, 2014

We are not saying that Dyke Dunning, managing director of High Noon Productions, is horse racing crazy but here is his report on his new Martin RUSH MH 3 Beams.

“I went to the CX yearling sales looking for a sharp, bright, tight, quick colt. I was very impressed with the MH 3, the sire being Martin out of the dame Rush. Its sectional times were impressive, extremely quick going around the outside of the track with a big 160W heart and tight beam. The gobos are sharp and tight for those 800-1000m gigs. Equally impressive is its blood lines being traced back to PAR can out of the dame ACL, a very competitive filly from the 80’s. We have been impressed with the MH 3’s long distance in which it can compete, having out shone the other great colt in the stable MAC700. I recommend if you want to syndicate a light, this is the unit to get a share in. Excellent return and easy to feed young colt.”

Dyke kindly enclosed a picture of one of his RUSH MH 3 Beam fixtures playing with a stuffed dog. The dog also has impressive sectionals.

The RUSH MH 3 Beam is a powerful beam moving head that blasts an intense and narrow long-throw beam for spectacular mid-air looks and effects. It houses a fixed gobo wheel and colour wheel with a multitude of effects possible from a dimmer, strobe effect, 8-facet prism and focus.

www.showtech.com.au

 

Brisbane Sound Group are Loving their new Pointes!

Posted on Tuesday, May 27th, 2014

Brisbane Sound Group have recently invested in 16 new Robe Pointes and they’re absolutely loving them!
They purchased their first Robe fixtures a few weeks ago and have used them on a wide variety of shows, including corporate, church and concert events.
Rosh Bellen from Brisbane Sounds Group comments: “We were looking at expanding our offerings within our lighting inventory and the Pointe appealed to us due to its versatility. The response and acceptance to the fixtures within our current client base has been overwhelming positive”.
With almost 30 years of experience in live audio, studio and lighting, Brisbane Sound Group offers a comprehensive solution in technical event productions with the ability to cover a wide variety of events, from school recitals to large outdoor concerts. Their upcoming events feature some big names and productions and they will be definitely using the Points as a key feature lights.

Brisbane Sound Group have recently invested in 16 new Robe Pointes and they’re absolutely loving them!

They purchased their first Robe fixtures a few weeks ago and have used them on a wide variety of shows, including corporate, church and concert events.

Rosh Bellen from Brisbane Sounds Group comments: “We were looking at expanding our offerings within our lighting inventory and the Pointe appealed to us due to its versatility. The response and acceptance to the fixtures within our current client base has been overwhelming positive”.

With almost 30 years of experience in live audio, studio and lighting, Brisbane Sound Group offers a comprehensive solution in technical event productions with the ability to cover a wide variety of events, from school recitals to large outdoor concerts. Their upcoming events feature some big names and productions and they will be definitely using the Points as a key feature lights.

www.ulagroup.com

 

Austage Events expand with Show Technology

Posted on Thursday, May 22nd, 2014

Perth’s Austage Events is an audio visual company specialising in technical services and event management for professional corporate events, conferences, product launches, exhibitions, fashion shows and much more.

With a diverse clientele to keep satisfied, Austage Events looked to add variety to their lighting inventory with the purchase of twelve Martin MAC Auras, fifty LED PAR Quad-18s, twenty Pro Shop LED Strip HO units, two Look Solutions Unique 2 Hazers and a W-DMX Transmitter with two Receivers.

“The MAC Auras are a rather versatile little moving head,” commented Dan Read, Technical Director at Austage. “They are nice and light making it easy to mount them in a variety of different places. Their compact size and attractive looks are perfect for the corporate market. Plus they are bright, fast and have some great colours.”

Dan reports that they mainly use the LED PAR Quad-18’s and Pro Shop LED Strip HO’s for up lighting in various situations.

“The HO’s are great for creating a bit of a stage look also on some truss uprights,” he added. “They are very bright and really pack a punch. I like that you can control them either as a solid bank or in segments to allow a slow colour scroll effect. As for the LED PAR Quad-18s, they’re compact in size – always a plus in our business – yet bright and can deliver warm or cool whites too. They’re also very cost effective – both in purchase price and running price.”

As for the Look Solutions Unique 2 Hazers, Dan remarks that they are the industry standard and never fail to impress.

“The W-DMX is a handy addition to our inventory and saves time running cables into roofs and to that one light the client wants to be able to control out in the foyer!” concluded Dan.

www.showtech.com.au

 

PixPads and Fusion Bars light Planetshakers

Posted on Friday, May 16th, 2014

Planetshakers Church has invested in twenty-four ShowPro PixPads, Pro Shop LED Fusion Bars and a MA Node for their main Melbourne campus as well as their Melbourne North East Campus.

“We really liked the PixPads and were keen to incorporate them into the look of our productions,” explained Steve Piemontese, production assistant at Planetshakers. “Of particular interest was the ability to pixel map them and run effects through them. We’ve really pushed them quite a lot and created some interesting effects with them. They really help the visual look of the stage particularly for the cameras; that’s very important as we live stream out Sunday service.”

Eight of the PixPads were deployed to the Melbourne North East Campus where they are mostly used for stage wash. They are joined by the six LED Fusion Bars which add an element of eye candy. The LED Fusion Bars utilize the latest in Tri-Colour technology whereby the colour mixing is fused into each lens by way of the special Tri-Colour LED’s eliminating the usual chromatic shadowing and ensuring an even spread of colour upon the illuminated surface.

The MA Node is instrumental in solving a wireless problem where the wireless DMX kept dropping out.

“With the aid of the MA Node, we turned it into fixed DMX instead and it’s been smooth sailing ever since,” said Steve.

www.showtech.com.au

 

Devine Lights partners with The Strand Archive

Posted on Tuesday, May 13th, 2014

Stephen Devine of Devine Lights is pleased to announce a partnership with Jon Primrose, owner of The Strand Archive - www.strandarchive.co.uk

The Strand Archive was built by Jon over a number of years and it is now one of the very few resources where information on vintage Strand Lighting equipment can be accessed. The archive is now regarded as the definitive website for information.

Like all things that evolve like this, Jon has a lot of information to put up and very little time to do it. He felt the only way forward was to get another person involved in the venture.

The plan is to get all the information Jon has, along with all the information Steve has,  use a professional web developer and build a new site that is far more comprehensive and reflects the importance of the resource.

Consideration is being given to establishing other archives for other brands of equipment once this one is established.

The joint venture will expand the archive and provide data on all of Strand Lightings discontinued and vintage equipment.

Discussions are underway with a number of vendors in UK, Europe, Australia and the USA so that users will be able to hire or buy some of the vintage equipment via the website.

Enquiries in the first instance to Stephen Devine devineretrolights@gmail.com

Jon Primrose can be contacted at Jon@thestrandarchive.co.uk

www.facebook.com/devinelights

 

Martin RUSH MH1 Profiles perform for Gpro Shaw Events

Posted on Monday, May 12th, 2014

Perth-based Gpro Shaw Events has added four Martin RUSH MH1 Profile LED moving heads to their inventory. The super-efficient optics of the RUSH MH1 punch out a variety of effects and colours from two gobo wheels and one colour wheel. It also houses an electronic dimmer and strobe, iris and 3-facet prism.

“Initially we were rather cautious of LEDs in a moving light but the RUSH MH1 seems to fill the MAC250 Entour market,” said Blake Granston, production designer at GPro Shaw Events. “They are ideal for the small to medium events that we don’t want to send MAC700’s or MAC Vipers to. The RUSH MH1 has some cool gobos that are a little bit different and work well for the fringe festival and music gigs we have been doing.”

Blake was also impressed by the affordability of the RUSH MH1 fixtures as well as the fact he can add more to a circuit due to their low power draw.

“We were recently able to put them into a 100-year old circus venue as there is no heat coming off of them,” he added. “They’re also quiet and relatively quick. Basically, they are just efficient! They have just done 262 shows in five weeks without a single issue.”

Gpro Shaw Events have also been amassing a considerable amount of Pro Shop LED PixPAR Tri-24 which they have been busy pixel mapping for various events. Consisting of 24 TRI-COLOUR 3-in-1 3Watt LEDs, versatility and flexibility of use with this unit is assured. Individual LED or larger LED segment control is available in this fixture, with control available via DMX, Static colour or Auto modes.

www.showtech.com.au

 

Jands Ceases Distribution of Spotlight Products

Posted on Monday, May 12th, 2014

After a productive 6 years together Jands and Italian luminaire manufacturer Spotlight are parting ways. As of May Jands is no longer the official distributor for the Spotlight product line. Expansion in other areas of the Jands lighting portfolio have necessitated this rationalisation. Jands Service still have a stock of spare parts and until Spotlight announce details of their new distribution arrangements parts and repairs will continue to be available from Jands.

www.jands.com.au

 

ETC Gio A Pleasant Surprise For Hog Man!

Posted on Wednesday, April 30th, 2014

Lighting designer Christopher Snape is a self-confessed Hog man, however for his latest production King of the Air he had no choice but to use an ETC Gio console. The show was held at Sydney’s Recital Hall where Christopher used the in-house lighting gear including an ETC Gio and fader wing.

“Naturally I asked for a Hog console as I know it inside and out but I was stuck with the ETC Gio,” he explained. “I have used the ETC Gio before on a couple of shows but this was the first time I programmed one and I was pleasantly surprised. Based on my previous experience with this console I knew it could do everything I wanted, I personally just didn’t know how to do it.”

Christopher soon discovered that programming many features into the ETC Gio were very straightforward and he commented that anyone with experience in programming a show could pick it up fairly easily. In fact Christopher admits that in some things, the ETC Gio was easier to set up than the Hog.

“It was easy to do the basic programming of the in-house moving lights with the Gio,” he added. “When it came to being able to wing the show, to be able to set up faders that can make gobo rotates, chases and that kind of thing, I wasn’t sure of the syntax of the order to do things. I gave Eddie Walsh at Jands a call and he gave me the initial keystroke order of things, and then I found that everything else I wanted to do revolved around that key stroke order.

Christopher commented that with Eddie’s tips, programming and running the show was a very easy process.

“I particularly liked the simple but powerful way the console allows for Macro setup and learning keystrokes,” said Christopher. “With a push of a few buttons, you can pretty much make one button do a hell of a lot.”

Christopher further describes the ETC Gio as quite a powerful little console that can do everything it needs to do quickly.

www.jands.com.au

Lighting designer Christopher Snape is a self-confessed Hog man, however for his latest production King of the Air he had no choice but to use an ETC Gio console. The show was held at Sydney’s Recital Hall where Christopher used the in-house lighting gear including an ETC Gio and fader wing.
“Naturally I asked for a Hog console as I know it inside and out but I was stuck with the ETC Gio,” he explained. “I have used the ETC Gio before on a couple of shows but this was the first time I programmed one and I was pleasantly surprised. Based on my previous experience with this console I knew it could do everything I wanted, I personally just didn’t know how to do it.”
Christopher soon discovered that programming many features into the ETC Gio were very straightforward and he commented that anyone with experience in programming a show could pick it up fairly easily. In fact Christopher admits that in some things, the ETC Gio was easier to set up than the Hog.
“It was easy to do the basic programming of the in-house moving lights with the Gio,” he added. “When it came to being able to wing the show, to be able to set up faders that can make gobo rotates, chases and that kind of thing, I wasn’t sure of the syntax of the order to do things. I gave Eddie Walsh at Jands a call and he gave me the initial keystroke order of things, and then I found that everything else I wanted to do revolved around that key stroke order.
Christopher commented that with Eddie’s tips, programming and running the show was a very easy process.
“I particularly liked the simple but powerful way the console allows for Macro setup and learning keystrokes,” said Christopher. “With a push of a few buttons, you can pretty much make one button do a hell of a lot.”
Christopher further describes the ETC Gio as quite a powerful little console that can do everything it needs to do quickly.
 

Clay Paky A.Leda Wash K20 are ‘the best’

Posted on Thursday, April 24th, 2014

Sydney production company 32Hundred Lighting has always been a big fan of Clay Paky equipment owning Alpha 1500 HPEs, Alpha 575 HPEs, Alpha 575 washes, Alpha 1200 HPE, Alpha 1200 washes, Stage Zooms and even some perfectly functioning Goldenscans.

Now they have expanded their Clay Paky family with the purchase of ten A.LEDA WASH K20 which offers a valid alternative to discharge lamp washlights, adding all the benefits of LED technology: low energy consumption, long light source life, small size, light weight and robustness.

“They’re great, really cool and well, basically …. they’re the best,” declared Iain Reed, managing director of 32Hundred Lighting. “We use them instead of traditional wash fixtures as they are a lot better and the colour rendering is really nice. They are also extremely bright.”

A.Leda Wash K.20 is fitted with multicolor RGBW LEDs that produce a full range of vivid colours as well as excellent shades of white. It is also equipped with a motorised and fully controllable 14°-70° zoom.

“We use them as the wash light we have been needing for ages,” concurred Martin Bevz, lighting designer at 32Hundred. “It’s a relief not to have to worry about discharge lamps and zooms not working. In fact it’s very refreshing. It’s a good, solid fixture that matches our Clay Paky Alpha 1500 profiles. The zoom is great as is the pixel mapping.’

The guys at 32Hundred have developed their own in-house Catalyst profile for their A.Leda Wash K.20s so that they can do ArtNet merging and run content through them from a media server.

“That was a big thing for us as really cutting edge technology is what we try to focus on,” added Martin. “The pixel mapping and macros are great for a bit of eye candy. Not only can they be a major lighting instrument in a room but also part of the décor as they add a designer element as well.

In fact each colour of each LED may be controlled separately: this unique feature not only allows you to create an endless range of colour variations, but also to use each LED of the array as a pixel in order to draw all kinds of graphic images that change dynamically both in shape and colour.

Photo of Corroboree Sydney by Daniel Boud courtesy of Destination NSW

www.showtech.com.au

 

MJF Lighting welcome MA2 and Clay Paky Sharpys

Posted on Wednesday, April 23rd, 2014

MJF Lighting Limited, a leading supplier of theatre and event lighting, recently purchased a MA Lighting grandMA2 light together with 16 Clay Paky Sharpys.

“We consider ourselves to be a technically proactive company who embraces new technology and always looks to ensure we can provide the national and international LDs with what the market requires.   And we also pride ourselves on our ability to keep up with technology and lighting trends.  This ensures we continue to be an effective and efficient supplier.”

They further remark that the MA2 console allows for freedom of control for rigs that are continuing to grow in size and pushing technology to its boundaries.

“We were finding that many technical riders were specifying the MA2 so the purchase was definitely market driven.  We love the ease of use and the flexibility of being able to set up the console to how you prefer to operate. The ability to have either a stand-alone console, or to bring it into a network system, therefore having more than one console, is fantastic.”

MJF Lighting Limited also made a strategic move in purchasing 16 Clay Paky Sharpy units.

“Again, the purchase was market driven as so many technical riders request Sharpys.  The Sharpys are quick, powerful and give us the ability to add another level/dimension to our lighting designs”.

www.showtech.com.au

 

Ayrton has landed in Australia

Posted on Thursday, April 17th, 2014

SHS Global are excited to announce that Ayrton has finally landed in Australia!

Over the next few weeks they will be doing demonstrations on the Ayrton Magic Panel 602 and the Ayrton Wildbeam.

Ayrton Magic Panel 602 is a modular LED luminaire allowing for a broad range of diverse visual effects. Equipped with continuous double rotation in PAN and TILT mode, it is able to display media thank to its Arkaos KlingNet protocol or to be controlled via DMX RDM protocol through its XLR connectors. The display is made up of 36 15 Watt LED RGBW modules fitted with high-output 7,5° 45-mm optics, the unit runs on a sophisticated and particularly quiet cooling system and offers an overall luminous flux in excess of 14.000 lumen for a consumption of 600 Watt.

The Wildbeam is the smallest of the new Radical range from Ayrton. Highly compact, lightweight, super-fast and powerful, WildBeam’s seven 15W LED RGBW sources and 67mm optics produce 3200 lumens with a centre beam intensity of 380,000 candela from a mere 130W of power. The distinctive finish and arrangement of the optics and individual control of each source affords numerous original graphic effects.

If you are interested in getting your hands on these fixtures please call Dave Jackson on 0418 454 837  to arrange a demo.

www.shsglobal.com

 

ULA Group appointed as Australian Distributor for Pharos

Posted on Monday, April 14th, 2014

The ULA Group is very excited to announce the new partnership with Pharos as the Australian distributor of their innovative lighting control solutions.

Cuono Biviano, Managing Director of ULA Group says; “It is with great pleasure to welcome Pharos on board as part of the ULA Group family of world leading lighting solution products. Pharos is a leader in architectural lighting and room zone control for both lighting and audio-visual products. Pharos pride themselves in high level customer support and highly reliable turnkey solutions, which is a key protocol of the ULA Group culture. I look forward to working with Tony and all of the team and delivering real solutions and training to our clients.“

Tony Symms, Regional Manager Asia Pacific of Pharos, says: “We are delighted to welcome the ULA Group into the family of distribution partners for Pharos Architectural Controls. Our new relationship with ULA will enable us to further extend the Pharos network and provide service and technical support for Australia. We will be working closely with ULA to promote Pharos in the region to provide quality control systems for any application.”

Founded in 2004, Pharos is independently owned and is part of the Carallon group, a product design company specializing in control systems for the entertainment industry.

Pharos Architectural Controls is committed to providing innovative lighting and audio-visual control solutions for the architectural and entertainment industries. Pharos award-winning products are installed across the globe, running day and night in theme parks, shopping malls, state palaces, art installations, museums, airports and homes.

Please contact us at the ULA Group to arrange a demonstration of this powerful control solution or to arrange training.

www.ulagroup.com

The ULA Group is very excited to announce the new partnership with Pharos as the Australian distributor of their innovative lighting control solutions.
Cuono Biviano, Managing Director of ULA Group says; “It is with great pleasure to welcome Pharos on board as part of the ULA Group family of world leading lighting solution products. Pharos is a leader in architectural lighting and room zone control for both lighting and audio-visual products. Pharos pride themselves in high level customer support and highly reliable turnkey solutions, which is a key protocol of the ULA Group culture. I look forward to working with Tony and all of the team and delivering real solutions and training to our clients.“
Tony Symms, Regional Manager Asia Pacific of Pharos, says: “We are delighted to welcome the ULA Group into the family of distribution partners for Pharos Architectural Controls. Our new relationship with ULA will enable us to further extend the Pharos network and provide service and technical support for Australia. We will be working closely with ULA to promote Pharos in the region to provide quality control systems for any application.”
Founded in 2004, Pharos is independently owned and is part of the Carallon group, a product design company specializing in control systems for the entertainment industry.
Pharos Architectural Controls is committed to providing innovative lighting and audio-visual control solutions for the architectural and entertainment industries. Pharos award-winning products are installed across the globe, running day and night in theme parks, shopping malls, state palaces, art installations, museums, airports and homes.
Please contact us at the ULA Group to arrange a demonstration of this powerful control solution or to arrange training.
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Scene Change Melbourne expand with Show Technology

Posted on Friday, April 11th, 2014

Scene Change Melbourne has added Clay Paky Alpha Spot 300’s, Martin MAC101 moving head LED wash lights and an M2GO lighting controller to their inventory, as well as a bunch of the LED PAR Quad-7 fixtures.

“The M2GO is compact, priced well and certainly does what we need it to do,” commented Linton Gellatly, director of Scene Change Melbourne. “All the reviews I had heard or read were very positive and it has proved to be the right console for our size business. Everyone can easily get their head around using the console, in fact it’s very easy to use compared to some other consoles on the market. From my perspective it ticks all of the boxes; it’s priced well and we’re not paying for features we don’t need. Plus our guys don’t need training to use it.”

Eight Martin MAC 101 LED wash lights were also purchased and Linton is so impressed by them, he’s sure they will purchase some more in the near future.

“They really are an industry standard now,” added Linton. “They’re bright, fast, small, simple to use and they travel well. They really are good bang for your buck.”

The four Clay Paky Alpha Spot 300 spotlights acquired are described as simply awesome by Linton.

“They definitely put my other moving head spots to shame as they are incredibly bright,” he said. “Their optics are great and they certainly live up to the Clay Paky reputation.”

Linton cannot stress how enthralled he is with the LED PAR Quad-7, a member of the new LED PIXPAR range that is compact in size, utilises the latest in LED technology, is bright, looks fantastic and is also inexpensive.

“They are fantastic, we love them!” declared Linton. “We’re going to move away from our old LED PAR cans to these. They are neat, small, bright and, as they are a quad colour, they have a really nice white. They have a great dim so when you kill them, they dim out dissolving away like a tungsten source. Compared to our old LED PAR cans, they are very compact and so once I get rid of the old PARS, I’ll be able to get heaps in a road case. It’s often the little things that give you the most pleasure! We expected the Clay Paky fixtures to be great but these were a fabulous surprise.”

Consisting of 7 QUAD-COLOUR RGBW- 8Watt LEDs, the LED PAR Quad-7 can cover a large range of the colour spectrum including quality pastels, whites warm and cool. With a total 56Watts of LED power this compact unit has more than enough output to suit even the most fussy of production managers. Beam width is ideal, at 25degree, with control available via DMX, Static colour or Auto modes.

Linton remarks that he is delighted with the new purchases and adds that everyone is very happy with the customer service delivered by Show Technology.

Picture: Dan Evans operating the M2GO

www.showtech.com.au