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EQUIPMENT NEWS

Event Panel battery-powered RGB LED colour panel
Now you can take your LED colours with you... anywhere you go, even without POWER! Our amazing new Event Panel System is a revolutionary RGB LED colour changing panel that comes with its own battery pack, so it can “power on” wherever you take it, even in places where there's no electricity available.
Equipped with 288 high-output 10mm LEDs (48 red, 120 green, 120 blue), the Event Panel System is ideal for adding brilliant colours to special events and banquets, as well as tricky indoor spaces where electrical outlets are scarce, such as hallways, entry ways and moving scenery. The unique long-life battery-powered panel also provides an easy way to light up trade show exhibits, runways and retail displays, since you dont have to worry about connecting to a power source for at least 10 hours of full-power continuous use. Rental companies, too, will benefit from the Event Panel System, since they'll be able to offer their customers a totally portable, easy-setup RGB colour fixture for applications where it previously would have been difficult, or impractical to use one.
Not only is the Event Panel System a perfect fit for hard-to-light spaces, its also got an array of features that will fit a variety of needs. It includes 14 built-in programs, a variable strobe effect (1-18 flashes per second), 0-100% dimming and seamless RGB variable fade rate colour mixing. Featuring flicker-free operation so its even ideal for illuminating video and film production sets.
The panel can be controlled remotely from up to 10m away using the Wireless Infrared Controller, which comes included with the Event Panel System. The Wireless Remote gives operators control over the built-in programs, strobing, blackout and RGB mixing, and the IR receiver on the panel itself can be placed by the user into the proper position manually.
As another option, the Event Panel System can be operated with a standard DMX-512 controller, giving users flexibility to create their own programs and conjure up an infinite palette of colours. The panel can be operated in 2, 3, 4, 7, 14 or 26 DMX channel modes to meet varying user needs. The versatile panel can also be run as a stand-alone unit without a controller in four different modes: Auto Run, which automatically chases through the 14 built-in programs. Programs Mode, which lets you select a program and adjust its different features such as speed and fade time. Sound Active Mode, which chases through the built-in programs to the beat of the music. And Master-Slave, which allows multiple units to be linked and synched together via built-in XLR connectors.
Featuring a 40° beam angle, the Event Panel System has an impressive output distance of 20-25m. The compact colour panel sits on top of a base, which holds its rechargeable battery, and attaches easily via two quarter turn locks. A 12v power supply to recharge the battery is included with the system.
In addition to operating via battery power, the Event Panel System can be connected to an electrical source with an AC cable from 100-240v and can be used independently without the base. Featuring the energy efficiency of LED lighting, it draws only 36 watts of power. Another advantage of its LED lamps is their long life - rated at 100,000 hours.
Rated at IP20, the Event Panel System is not intended for permanent outdoor installation, extended outdoor use, or operation in rain or inclement weather.
Australian Distributor: Coemar De Sisti www.cdaust.com.au

Dynalite to extends its controller series
At the Integrated Systems Europe (ISE) 2009 exhibition, lighting control and automation group, Dynalite, will showcase the company's latest addition to its multipurpose controller series, the DDMC802GL.
Designed for home automation and hotel suite control applications, the DIN rail-mountable DDMC802GL features a hardware-configurable design, where plug-in output cards accommodate specific loads assigned to the system. This ability to tailor the product to the project optimises energy management and reduces cost, while simultaneously eliminating waste and providing future-proofing flexibility, says the company.
"Dynalite's range of multipurpose modular controllers heralds the next 'eco' generation of Dynalite technology," said Phil Main, Dynalite business development manager. "No two control systems are alike, and the range of control requirements is ever increasing. By providing the ability to use load-specific modules - whether for luminaire dimming or automation of blinds, curtains or fans - there's a huge reduction in the waste caused by unused channels in conventional control approaches. Moreover, the system is fully future-proof. A total system upgrade means no more than substituting individual modules. These are all key ingredients for a sustainable future."
L&amp;SI Source L&SI Online www.lsionline.co.uk
www.dynalite-online.com

Element Labs introduces revolutionary Cobra technology platform
Element Labs, Inc., a global leader in the design, manufacture and support of cutting-edge LED video technology to the entertainment, architectural and signage industries, has announced the launch of its revolutionary Cobra technology platform. Cobra 16 and Cobra 11, the first two panels in the Cobra family, made their debut at the LDI show in Las Vegas.
The Cobra range of LED video display panels is the result of an extensive research and development effort by Element Labs to create a next-generation display technology that renders existing alternatives obsolete. Cobra technology boasts no less than eight industry firsts, including a revolutionary panel design less than 70mm deep and weighing as little as 29 kg/m2 (fixed install panels), extremely low power consumption, full IP66 rating front and back, no cooling fans, an extended RGBC color gamut, FCC Class B emissions and true 100,000 hour lifetime. The result is an industry first: a truly environmentally friendly LED display technology that offers superior visual performance.
The Cobra platform’s revolutionary design and superior visual performance make it ideally suited to indoor and outdoor applications in both the entertainment and architectural markets.
Barbara Nelson, CEO of Element Labs, says: “The introduction of our new Cobra platform forms part of our strategy to lead through innovation with our products and our people. Cobra 16 and 11 will completely redefine how the industry views LED displays. The technology establishes us with knockout competitive advantages on every front and lays a strong technology foundation for Element Labs to establish itself in a class of its own – now and in the future.”
Grant Elliott, CTO of Element Labs, adds: “With Cobra we have taken a number of key requirements for LED video panels, and by pushing the envelope from an engineering perspective in all of these areas, have created a product that excels in almost every technical aspect. Cobra is lightweight, razor thin, highly efficient, flexible in terms of usage, rapid to deploy, employs a four color pixel for increased luminance depth and deeper colors, and looks as good from the back as it does from the front. Combined with the new PXL architecture which will form the basis of a number of our products moving forward, Cobra represents a large leap forward for both Element Labs and the industry.”
www.elementlabs.com

Philips expands UnicOne collection
Royal Philips Electronics has announced that it is extending the Philips UnicOne collection of projectors, pendants and uplights. The new additions to this comprehensive range - more powerful projectors, discreet gridlights, refined twin solutions, innovative micro versions with LEDs and highly decorative glass versions - offer retailers and hospitality owners even greater choice in integrating their lighting into their interior architecture, says the company.
UnicOne luminaires all share the same family design aesthetic of pure geometrical forms and sophisticated detailing. The different versions, materials and sizes allow retail and hospitality professionals to create their own design for general, accent and effect.
L&amp;SI Source L&SI Online www.lsionline.co.uk
www.philips.com.au

Wybron introduces Infogate for iPhone
Infogate for the iPhone, the latest innovation by Wybron, lets lighting pros control their rigs and troubleshoot problems from virtually anywhere in the building – all with a pocket-sized wireless device.
Scheduled for release at LDI 2008, Infogate for the iPhone gathers invaluable feedback from lighting equipment and uses a wireless signal to transmit the data to an iPhone or iPod. With that wireless signal, users can inspect and manipulate equipment without being chained to a booth, board, or computer.
Depending on the setup of the user’s network, Infogate’s wireless signal can stretch hundreds to thousands of feet, letting users monitor and control equipment onstage, backstage, and beyond.
“Now lighting techs don’t have to keep running back to their computers or consoles when they want to troubleshoot a problem,” said Wybron Director of Technologies John Sondericker, co-developer of the iPhone application.
Infogate for the iPhone is the newest component of Wybron’s award-winning InfotraceTM Control and Management System, which took home LDI’s Best Debuting Product Award in 2006. Infotrace uses Remote Device Management, a two-way communication protocol developed by ESTA, to let lighting equipment talk back to its operators.
Serving as the “brain” of the Infotrace system, Infogate processes feedback from the lighting equipment and displays it on the user’s computer or iPhone in an easy-to-use, easy-to-understand graphical interface.
The Infotrace feedback system lets users troubleshoot and pinpoint problems quickly and warns users of potential problems. During load in, Infotrace lets users install and configure equipment faster by setting DMX addresses remotely and accessing a wide variety of device parameters.
Other lighting manufacturers embracing feedback systems include Martin, ETC, Robe, High End Systems, Ocean Optics, Leprecon, and many more. And the list keeps getting longer.
Feedback systems should prove especially helpful for moving lights, said Wybron Engineer Scott Longberry, co-developer of the iPhone application. “Imagine checking out a pan problem in one of your moving head fixtures. Using your iPhone, you can see any error messages and exercise the equipment from anywhere on the stage,” Longberry said.
Infogate for the iPhone joins two other iPhone applications released by Wybron earlier this year. The Gel Swatch Library lets users browse, compare, and search nearly 1,000 gel colors made by GAM, Lee, and Rosco, and the CXI Color Calculator lets users create hundreds of colors for the CXI IT dual-gelstring color-mixing scroller.
“We had a great response with our first two iPhone apps, so we’re pretty excited about getting the Infogate application into the hands of the lighting industry,” said Wybron President Keny Whitright.
Try out Infogate for the iPhone at LDI booth 859. Infogate for the iPhone will be available soon through the Apple App Store, which can be accessed through an icon on the devices or iTunes. To learn more about the iPhone or iPod touch, visit www.apple.com.
www.wybron.com

WYSIWYG's R22/R23 Bringing New Lights to Footprints
CAST Software has announced it will give LDI visitors (in Las Vegas, October 24-26 2008, in Booth 3731) a sneak preview of its newest version of wysiwyg - Release 23 which delivers momentous innovations in pre-visualization.
The highly acclaimed R22, released in May 08, was the first of a two-phase update approach that set the stage for R23. CAST will begin beta testing R23 later this month and targets its general distribution by the year end.
R22's ground-up build, including a new realtime highly efficient engine, marked substantial advancements that produce softer beams, with more depth, texture and colour mixing, which actually flare! The new animated life-like 3D smoke greatly enhances the environment and also highlights improvements to gobo projection, showing the breakups in the beams.
Leaping forward yet again, R23's new features will make design more lifelike than previously thought possible. The notable advancements will include: new visualization features that deliver the real quality of light - in realtime; variable focus which allows users to focus beams, gobos, video, etc., at any distance; beams moving across objects will produce realtime shadows; hot spots will display a truer representation of the light; and to keep pace with the exploding trend in digital lighting, video content is displayed in beams, enabling users to model digital media fixtures and see the output in realtime.
Designers can now get the focus they originally envisioned - right from the start. R23 introduces an innovative fixture point-of-view picture window that at the touch of a button sends an accurate reference point by soft or hard copy of the focused light, including shutter cuts, of your vision to the electrician up the ladder, saving both time and money.
R22 and R23 are free to current wysiwyg Members.
www.wysiwygsuite.com

Hippotizer Announces New Software Release
Hippotizer said its V3 software release 3.0.12 is now available. James Ross Heron, Green Hippo director, called the new version “the most mature and well rounded update for Hippotizer we have ever released. The new features and functionality equate to adding several new products, in addition to over 180 distinct improvements and upgrades.”
Upgrades include the “PhatController,” which offers Ethernet or RS232 control of external devices; an “Automation” component, which synchronizes parameters such as X/Y movement and accepts feedback from stage automation protocols; “Diamonds,” a timeline programming tool; “Simple Mode,” which allows for fast programming of less demanding shows; a new timeline storage format that includes auto-recovery and unlimited undo; advanced clock functions and scheduling for synchronizing multiple servers and stand-alone operation; a media-manager that now allows files to be saved with an expiry date, which is especially valuable when working with copyrighted content on rental machines; comprehensive time-code monitoring; “BeatBridge,” which allows audio triggering of any Hippotizer component; and a new component called “HippoBlaster.”
Australian distributor: Clearlight Shows www.clearlight.com.au

Martin's feature-rich Jem K1 Hazer
The Jem K1 Hazer is Martin Professional's new generation, top-of-the-line hazer for high performance applications where a high level of reliability and easy serviceability is required.
Feature-rich, the Jem K1 is a professional machine that provides the combination of continuous operation, long hang time, and low fluid consumption for greater economy. Says the company.
Easy to set up (turn it on and press a button), the Jem K1 is quick to heat up. It features "exceptional output" from an innovative and powerful 600 W heat exchanger yet overall power consumption is less than 750 watts.
A high quality air pump system gives a smooth and uniform output while a special mixing channel allows the haze to optimise before being expelled. An automatic shut-down cycle has been implemented to prevent clogging.
DMX controllable, the Jem K1 Hazer is continuously operational for a set it and forget it effect. Other features include an easy to read and convenient 14 digit LED display. A digital remote control is available as an option.
Australian Distributor: Show Technology www.showtech.com.au

Martin Launches MAC III Profile
The 1,500W MAC III Profile features a new platform that, the company says, offers such features as greater output than other profiles in its class, improved color vibrancy, exceptional gobo and animation effects, a wide zoom range and low noise cooling, as well as advances in control, handling, service, and more.
This high output profile spot uses a 1,500W fast-fit lamp that features high optical efficiency for sharp imagery and enhanced high depth of field--especially at wider beam angles--giving a crisper beam and sharper projection images at various projection angles, the company says.
The optical system produces over 33,000 lumens of power and is up to 75% brighter than current 1,200W fixtures. The high output is maintained even when many elements in the optical train are running simultaneously, the company says. When the MAC III Profile's extra output is not needed, a reduced 1,200W mode allows users to reduce power consumption and/or better balance the output of 1,200W units in the rig.
The MAC III Profile also uses a unique, broad front lens for a distinctive fat beam look.
The CMY color mixing system gives a wider range of vibrant colors across the spectrum, the company says. A fixed color wheel houses seven interchangeable slots plus open. Users can create color bumps and splits. The expanded color gamut is complemented with variable CTO.
The MAC III Profile houses two rotating gobo wheels - both five slots plus open and auto-indexable -- and features a set of exceptional gobo designs, all easily replaceable. The combination of two gobo wheels with high optical separation allows for unique morphing effects. Gobos are "keyed" to allow for gobo changes while maintaining its indexed position.
Martin has included its gobo animation system, which allows for the projection of effect simulations such as rising flames, drifting clouds, driving rain, turbulent water, and more. In order to allow for more complex designs, the animation wheel is made of glass and is easy to insert, thanks to a new drive system.
The MAC III Profile features what Martin says is its smoothest dimming system yet, a fade that is completely uniform across the beam all the way to blackout. It also includes a separate shutter for fast and punchy strobe effects as well as a total front lens blackout. A motorized iris with more blades for a smoother beam edge is also included when a tight beam is required; and a variable rotating, four-facet prism (replaceable) provides real beam multiplication for even greater beam and projection opportunities.
A linked zoom and focus with an 11.5- to 55-degree true zoom range is exceptionally fast and zooms to full in less than a second. Gobo effects hold a sharp focus through the entire zoom range and at varying throws.
Housing extremely powerful motors, the MAC III Profile is faster than many smaller fixtures. A precise pan and tilt system (540 degrees x 270 degrees) gives measured and accurate movement. The MAC III Profile's absolute positioning system enables the fixture to position immediately without the need for a reset and even allows for pan and tilt movement limits when fixtures are rigged in tight spaces, the company says.
A low-noise cooling system incorporates some of the same principles as Martin's silent MAC TW1 luminaire, trapping heat and silently dissipating it away from the back of the fixture. It also includes a unique ducting system that sends air out of the fixture via the light path.
MAC III Profile control modes include DMX 512 A and RDM and the fixture is fully prepared for ArtNet II and ACN.
Developed with ease of service in mind, the unit takes past modularity concepts one step further. Modules are self contained, making it quick to swap modules on site in the rig. It also reduces the amount of spare fixtures to carry.
Other features include innovative handles on the yoke and an easy service base with pull-out drawer. A convenient tilt lock keeps the head where you want it during transport and servicing. The MAC III Profile comes with electronic ballast for flicker-free operation and includes an auto-sensing switch-mode power system for worldwide compatibility.
In addition, on-board software creates a service and event log for download. By logging fixture and event information such as use statistics and service and trouble-shooting data, important fixture information stays with the fixture and is easily and readily available.
An LCD screen graphical user interface with jog wheel makes the fixture easy to program, troubleshoot, and use, and is battery-powered so fixture status can be read while still in the flightcase.
Australian Distributor: Show Technology www.showtech.com.au

Coemar to Launch New Products at LDI
Coemar will be unveiling five new lights at this year's LDI, at the Las Vegas Convention Center running October 24-26.
The Infinity Wash S (pictured) emits light brighter than a 575 fixture in a package half the size, the company says. It features the same patented beam effects as the Infinity Wash XL, with a zoom range from 36 down to 6, a CMY color mixing system, color wheel, and all-electronic power variables.
The Infinity Spot S is described by Coemar as offering the first truly professional fixture to be sized in a micro body. It has absolute silent operation, the company says, and comes complete with one aerial wheel, one gobo wheel with seven gobos and open, as well as one break-up wheel, and one color wheel with five colors plus open (all replaceable). Other features include CMY color mixing, zoom (7dg-36dg), and an iris.
Designed to create huge beams from a micro package, the Infinity ACL is billed as being the world's first moving ACL loaded with a focusable black-light, variable beam size, and variable beam control with rotating aerial effects. The Infinity ACL is ready to deliver moonflower and split-color beam effects, while changing color via CMY color mixing. A six-degree beam angle, iris, and LCD display come standard.
Also fresh to the market is the StageLite Led, a very bright light sporting an electronic dimmer, electronic strobe, as well as a synchronized, random and pulse effect. The product allows for asymmetrical focus on a cyc; it can also be used as a footwash, uplighting, and effects unit, all from the same mounting position. Both an asymmetric and symmetric beam are spawned (an exclusive Coemar patent) from one single robust, long-lasting aluminum encasement with a long-lasting light source.
Finally, the Infinity Spot XL breaks new ground with a color-mix system able to achieve CMY and RGB colors (CMY-s, exclusive Coemar patent). It accomplishes maximum exploitation of the new 1,500W light source while giving off unmatched brightness, the company says. A proportional CTO, 7 to 50 zoom, mechanical strobe and electronic strobe (zap effect) are also featured.
Coemar products are distributed in the U.S. by Inner Circle Distribution.
www.coemar.com
Australian Distributor: Coemar De Sisti www.cdaust.com.au

Artistic Licence Release Data-Lynx Range
With immediate effect, Artistic Licence is shipping Data-Lynx, the new range of high density DMX/Art-Net Ethernet converters.
Available in three versions - I/P, O/P and IO/P - and in a 1RU 19" rack mount, the Artistic Licence Data-Lynx is a no-frills solution giving the customer maximum packing density, at the lowest cost, whilst maintaining the customary Artistic Licence quality and features, the company says.
The Data-Lynx O/P is a 12-universe Art-Net to DMX converter which supports both draft and standard RDM. Its all new technology also supports a full speed DMX refresh rate ensuring the fastest conversion rates.
It has been designed with the channel-hungry DMX pixel-based market in mind and is particularly useful for applications such as low resolution video walls and animation effects.
Data-Lynx I/P provides the designer with 12 DMX512 universe inputs, which it converts to Art-Net data. Designed for use with media servers and those converting large DMX512 systems to use with an Art-Net system, the I/P has been designed at the request of AL customers to provide an efficient means of centralizing data distribution. Data-Lynx IO/P varies slightly from Data-Lynx O/P and Data-Lynx I/P in that it has the capacity to convert six universes of DMX512 to Art-Net and six universes of Art-Net to DMX512. This gives it the added functionality of being able to loop back the incoming DMX data to the outputs and simultaneously merge another controller to the same outputs. Alternatively the inputs can remain completely independent from the outputs.
The Data-Lynx IO/P can also act as an RDM injector, upgrading existing DMX512 systems to utilize the RDM protocol for configuration control over RDM-enabled fixtures. Data is transferred seamlessly from the desk's DMX signal and, by using free DMX-Workshop software, adds the functionality of RDM without having to upgrade the DMX controller.
All DMX connections use front mounted Neutrik XLR five-pin connectors. Each unit can be connected to a network using either the front or rear mounted Ethercon RJ45 connector. Each pair of DMX universes have DMX status, power, and network status LED's. A single front panel switch sets the 'Box Address / Sub-Net' for the simplest possible configuration. The Artistic Licence Data-Lynx range is powered via a universal mains IEC connector located on the rear of the unit.
As with all Artistic Licence Art-Net products, DMX-Workshop can be used for detailed configuration such as individual universe addressing on all three Data-Lynx products. Configuration can also be achieved using the internal web-server allowing remote control and configuration from any laptop.
www.artisticlicence.com
Australian Distributor: Balanced Technology www.balancedtech.com.au

Ying Wei IP65 rated LED City Color
Ying Wei LED City ColorThe new released LED City Color from Ying Wei Lighting is a high powered LED spotlight which is designed for theatre and television market.
This attractive and unique equipment features 36 x 1W RGB LEDs controlled by 6 DMX channels. Based on the LED advantages, the unit has low energy consumption. So it does not have fans on board due to little heat produced while it working, which means it can work very quietly. Besides, the LED has an extremely long life up to 100,000 hours. Furthermore, the IP65 can help it work for outdoor venue.
As a manufacture, we provide best products with lowest price, besides the most comprehensive warranty.
Ying Wei Lighting, 115 Liverpool Rd Enfield NSW 2136. Ph: 02 9745 0971, Fax: 02 9747 1100
Australian Distributor: Ying Wei Australia www.ywlight.com

Martin Extube for outdoor applications
The Extube Series from Martin Professional is a modular system of IP65 rated linear LED luminaires designed for illumination of outdoor architecture and more. With RGB+W colour mixing, a choice of opaque lenses and an easy means of installation, Extube is suitable for a variety of illumination needs including floodlighting, wall-grazing, cove lighting or creating continuous lines of decorative color, inside or out, says the company.
Extube is available in two lengths; 30cm (1ft, 12 LEDs) and 120cm (4ft, 48 LEDs). It is weatherproof rated at IP65 for the outdoor illumination of facades, structures, bridges, cruise ships and more. Made of extruded aluminum, the Extube's slim aesthetics allows the luminaire to blend iinto existing architecture. It is also suitable as a lighting effect for clubs and lounges and will fit into TV, theatre and touring shows.
The Extube comes with a choice of narrow, medium and wide diffuser options, or it can be used without a diffuser for an even narrower beam. The standard spread angle is narrow for long throws and the module is tiltable for precise optical aiming.
If ambient temperatures are too high, output from the LEDs is automatically decreased. This extends the lifespan of the diodes, and ensures that output is maintained at the optimum level.
A central feature of the Extube is its ability to create even and consistent colours. Each pixel board has been measured and calibrated, guaranteeing standardized brightness and colour performance.
With four coloured diodes (red, green, blue and white) instead of the usual three, Martin is able to offer a broader and finer range of colours.
The Extube offers four distinct control modes. In addition to RGB (three channel) and RGBW (four channel) colour fine-tuning, HSI (Hue, Saturation, Intensity) lets you set the effect you want by scrolling through hues, altering their saturation and changing their intensity.
L&amp;SI Source L&SI Online www.lsionline.co.uk
Australian Distributor: Show Technology www.showtech.com.au

VL3500 Wash FX luminaire debuts at PLASA08
Vari-Lite unveiled the new VL3500 Wash FX luminaire at PLASA08 in London this week. The unit, exceeding an output of 50,000 lumens, is a wash luminaire that is also capable of acting like a spot luminaire. In its colour bulkhead, the VL3500 Wash FX contains one FX pattern wheel with four spring-loadable rotatable and indexable 50mm glass patterns along with one open position. The dual-wattage unit runs at either 1200W or 1500W and runs 900W in standby. The luminaire projects polished images with the ultra-clear front lens which ships with the unit.
When asked to describe the market readiness for the VL3500 Wash FX luminaire, Bob Schacherl, vice-president of sales for Vari-Lite said: "Lighting designers and customers have increasingly expected feature-rich products that can be adapted or configured to meet the widest possible range of applications. We pride ourselves on meeting those expectations and the VL3500 Wash FX follows onto the successful design strategy we used with the VL3500 Wash, meaning the same incredible beam intensity, wide zoom range and dynamic colour capabilities still exist. The addition of rotating patterns and ultra-clear lens now creates a fixture that crosses over between hard-edged and wash luminaire and furthers this product line's flexibility."
Schacherl confirmed that existing VL3500 Wash luminaire owners will also have the option of purchasing a conversion kit that easily re-configures their fixtures into VL3500 Wash FX luminaires.
The VL3500 FX Wash luminaire features CYM colour mixing, variable CTO colour temperature correction, dual five-position colour wheels, a separate dimmer, and an independent dual strobe mechanism.
"The VL3500 FX Wash luminaire contains the features that designers have loved since the release of the VL3500 Wash luminaire," stated Vari-Lite product marketing manager George Masek. "Designers saw the wide front face of the unit and knew then that the luminaire would be great for projecting effects when a clear lens was installed."
This light gives designers yet another tool to fuel their creativity. "The VL3500 Wash FX luminaire is ideal for rock and roll," added Masek. "It offers designers interesting ways to shape and bend the light and to move the effects patterns through the air and around the stage. Users simply have more overall control of the light."
The multi-faceted luminaire includes three interchangeable front lenses (Ultra-clear, Stipple, Fresnel) to aid beam control.
"The VL3500 Wash FX luminaire has the possibility of being something different every day," said Masek. "The fixture has a number of creative personalities in one unit."
With the simple interchangeable front lens system, designers can transform the unit from a bright intense wash light to a unit capable of projecting images and powerful aerial effects.
The VL3500 Wash FX luminaires can be mounted and operated in any orientation and maintain a consistent configuration and appearance of other VL3000 series luminaires. Orders for the new unit are being taken effective immediately. The product will ship in October 2008 and product demonstrations will be available from your Regional Sales Manager beginning October 2008.
L&amp;SI Source L&SI Online www.lsionline.co.uk
Australian Distributor: Jands www.jands.com.au

High End Systems Debuts New Pixelation Luminaire at PLASA 2008
Worldwide automated lighting manufacturer High End Systems Inc. (HES) introduces StudioPix™, a hybrid wide-angle moving yoke LED wash light with programmable graphic imaging.
HES, a new member of the Belgium-based Barco group, will unveil StudioPix at the Barco/High End Systems stand J30 at Earl’s Court.
Smaller than its predecessor SHOWPIX™, StudioPix features a circular array of 61 homogenous 3-watt LEDs on a 13.5-inch diameter head with an output of 11,500 RGB lumens. The pixels offer unlimited possibilities by projecting not just color, but also displaying images and effects that transform the fixture head into a display device.
“We are excited about the addition of StudioPix to the LED family of luminaires," stated Bill Morris, HES Executive VP Worldwide Sales. “We believe that the future of lighting will demand more flexibility and features than traditional wash and spot lights that use mechanical gobos. Our SHOWPIX and StudioPix products enable
lighting designers to use virtually unlimited content and content changes to excite the audience while also providing the flexibility to serve as a color wash. We believe that this is what audiences will demand of future generation lighting fixtures; content will be key!"
StudioPix is equipped with the PixelArt™ collection of images. Users can also upload their own content through the new HES Echo™ application, a software program offering content visualization, management and RDM management features. The Echo application optimizes and maps the images to the 61 LED pixels of StudioPix.
StudioPix’s features allow for user creativity, including color mixing, rotation, scale, wipes, dissolves, transitions between layers, strobing and dimming. The DMX Scratch™ feature allows a user to synchronize the frames of a media file to music in real time. Using a pixel mapping protocol, the user may also individually control each LED for more creative programming effects.
StudioPix is scheduled to start shipping in early autumn from HES’ Austin, TX headquarters.
www.highend.com

LED Color Zoom
Ying Wei Lighting is a lighting equipment manufacturer founded in the early 1990’s with the main office and factory situated in Shanghai, China. During the last decade, Ying Wei has been growing to one of the successful company in China. Now Ying Wei has an office with heaps of stock in Sydney.
Ying Wei specializes in the research, manufacture, supply of intelligent lighting for entertainment and architecture applications. They promise unbeatable prices, the strictest quality standard and comprehensive warranty and service.
The LED Color Zoom 54 is a powerful LED moving head with 54/36 1W or 3W LEDs. The Color Zoom series utilises 54/36 pieces of 1W or 3W high powered LEDs providing very strong light intensities. The LED Color Zoom movement is very quick whilst still remaining smooth. With the long lifespan LED chip, it can be used for long operating times but with low energy consumption. Therefore it is very suitable for architectural, TV studios, theratre, club and live event.
Recently Ying Wei’s product has joined the Australian market. The LED Color Zoom has been used in Twenty1 Dining room & Bar with the other Ying Wei product such as Moving Head 250.
Ying Wei Lighting, 115 Liverpool Rd Enfield NSW 2136. Ph: 61 2 9745 0971 Fax: 61 2 9747 1100
www.ywlight.com

Martin Launches Recessed Alien LED Downlight™
The Alien LED Downlight™ is a plug-and-play recessed LED downlight that features RGB+W color mixing and is available in a standard or high power version. Designed for accent lighting in colored or variable white light, the Alien LED Downlight’s IP67 rating means it’s equally suited to both indoor and outdoor environments.
The Alien LED Downlight can be mounted on walls or ceilings and is ideal for expressive background lighting in restaurants, cafés, bars, small clubs and lounges. It is useful for wall grazing, as decorative accent lighting and niche lighting, or for bottle or product displays. The Alien LED Downlight is also perfect for entrance lighting or orientation lighting for marking columns, aisles, walkways, steps, and architectural features.
The Alien LED Downlight’s RGB+W diodes excel at creating a broader range of hues including deep, saturated colors. The addition of the white LED gives several advantages: a true white, the ability to adjust color temperature, and the possibility to create soft pastel shades.
Colors are evenly mixed when leaving the fixture, making for an attractive looking luminaire. The Alien LED Downlight is 0-100% dimmable for balance of brightness or the ability to respond intelligently to the availability of natural light.
The Alien LED Downlight is available in two versions to cover a wider range of applications; a 9 W standard version (5 LEDs) and an 18 W high-power version (9 LEDs). Very bright when compared to other products in its class, well-known Rebel LEDs are used to ensure high performance and output as well as a high quality. Because lamp replacement isn’t every 3000 or 5000 hours, no service is required other than regular cleaning.
For even greater flexibility in design, two optical systems are available, medium or wide, covering distances from approximately 0.5 to 3 meters (2 to 9 ft).
The required Alien LED Driver, sold separately, is a plug-and-play unit that offers great flexibility for solutions using both 9 W and 18 W fixtures. One Driver can control up to a maximum of 20 standard luminaires or 10 high-power luminaires, or a combination of the two.
The Alien LED Downlight will fit into any standard MR16 hole, allowing it to blend inconspicuously into existing architecture and making it ideal as a replacement product or for new installations. Alien LED Downlights are easily interconnected by linking transformers together with standard IEC connectors.
The Alien LED Downlight has two DMX control modes, HSI & RGBW for comprehensive control when a designer needs it. The intuitive HSI control system allows designers to control the unit in terms of color rather than only DMX levels. A stand-alone feature offers 31 pre-programmed static or dynamic sequences via the Alien Driver Unit.
The Alien LED Downlight is made of a durable steel and aluminum construction and the IP67 rating means it’s fully weather-protected. It comes with stainless steel trim rings as standard with chrome, white or brass available as accessories.
The luminaire is convection cooled so no fans or other moving parts are used. Rigorously tested and CE, ETL & CETL approved, the Alien LED Downlight is built for simplicity.
Australian Distributor: Show Technology www.showtech.com.au

A.C. launches Chroma-Q Color Span at PLASA
The Chroma-Q LED lighting range has been extended with the launch of the new Color Span - a configurable low profile, ultra-bright LED cove lighting and wall wash system for wide ranging applications, to be launched at PLASA08.
With Color Span you can specify for indoor (IP20) or outdoor (IP67) use, choose the body length, and one of 10 body colours, including stock Black, White or Silver. LED colours can then be chosen, from RGBA, single-colour Red, Green, Blue, Amber, Cool White, Warm White, or any colour combination. Finally, choose from narrow, medium or wide beam angle optics.
This vast range of configurations, combined with a very powerful 1500 lumens output per 1.2m/4ft and ultra slim design, makes the Color Span suitable for a wide range of wall wash, cove, effects and feature lighting applications in the architectural and entertainment sectors.
As well as benefitting from the same high quality components and innovative LED technologies found in other leading Chroma-Q LED products, the fixture's highly efficient solid-state technology requires less power and maintenance compared to conventional luminaires, enabling it to wash a 21.6m/72ft long wall from just a single wall outlet.
The Color Span's single LED cell features 16 (400mm length), 32 (800mm) or 48 (1200mm) separate LEDs arranged as sets of 4-channel control circuits in a linear batten formation, with a choice of power supplies for up to 6 or 18 full-length fixtures.
Connection to the power supply is by RJ45/Ethercon, with a choice of DMX or standalone control modes. The power supplies' built in variable effects engine provides a range of 99 pre-programmed looks and parameters, including scroll, grouping, speed and fade. In addition, strobing and other chase effects can be achieved when connecting multiple Color Span units together. The fixture also has a very smooth, linear dimming curve.
In optional 4-channel RGBA ('Magic Amber') configuration, the Color Span automatically and seamlessly blends the Amber alongside the RGB LEDs. By adding Amber to the colour-mixing process, a better range of warmer colours can be achieved, resulting in an enhanced colour gamut and therefore superior colour rendition index (up to 82%), say A.C.
The Color Span comes supplied with a versatile angle bracket for wall, ceiling or floor mounting in a variety of permanent installations.
L&amp;SI Source L&SI Online www.lsionline.co.uk
Australian Distributor: Jands www.jands.com.au

Robert Juliat at PLASA 2008
Robert Juliat will launch two new products at the 2008 PLASA Show, to be held at Earls Court in London September 7-10. One of thee products, the new Le Cin'k Fresnel spotlight, has been shortlisted for the 2008 PLASA Innovation Awards.
Designed to fill the need for a powerful Fresnel specifically designed for theatre, Le Cin'k is a new range of 250mm Fresnel lens spotlights that can be configured to accept 2,500W tungsten, 5,000W tungsten or 1,200W discharge (MSR/MSD) lamps, with a further option for a 2.5kW MSR hot-restrike module to follow by the end of 2008. The mirror, lamp base, and metal lamp-house casing is designed as a single component that can be quickly and easily interchanged to suit the requirements of a particular show.
As well as its adaptability, Le Cin'k has been designed to overcome many of the problems theatre users face when trying to adapt studio Fresnels to theatre use. Le Cin'k has a double slot front cassette slot, removing the need to attach color to the front of a fixture's barndoors and ensuring no light spill from the fixture; the front slot can then accommodate standard theatre accessories, including Robert Juliat's barndoors with individual rotating leaves and the Robert Juliat Jalousie dimmer, to give full dimming when a discharge source is installed. An optional fan-cooling module is available for the accessory slot; the silent-running fan will protect deep-colored filters, which would normally have a short operating life on a studio Fresnel.
Le Cin'k' spower cable connects directly into the rear handle terminal for easy access during maintenance, and the focus scale pointer and yoke index enable the rapid restoration of focus settings.
Robert Juliat will also be launching three new motorized modules for its 4,000W arena followspot, Lancelot. The new modules are a motorized dimmer, the Noria gobo module, with gobo selection, index, and rotation control for six gobos, and the Chromix progressive gel effect that allows for color or diffusion effects within the beam.
Le Cin'k and the new Lancelot modules will be on show alongside other products from Juliat's extensive range, in use in theatres, opera houses and events around the world; representatives from Robert Juliat and from the company's exclusive UK distributor, White Light, will be on hand to discuss the full product range.
Robert Juliat will be found on stand D76, on the White Light Zone in Earls Court 2.
www.robertjuliat.com
Australian Distributor: Show Technology www.showtech.com.au

PixelRange at PLASA08
PixelRange will launch PixelMax at PLASA08, September 7-10 at Earls Court, London. This high powered isx-cell wash light will introduce this new family of next generation luminaires, the company says.
Sixteen of the new fixtures will feature on the spectacular rig designed by lighting designer Vince Foster. Other new products include the high-resolution PixelMax Pro and a new addition to the PixelArt range -- a compact 36 by 6 pixels half-length PixelArt.
PixelMax Pro is a combined wash and pixellation luminaire, featuring 288 RGBA high-intensity Luxeon Rebel LEDs. Built around the same rugged housing as the PixelMax Wash, the PixelMax Pro offers the added flexibility of 18 individually controlled cells in a 3 x 6 matrix. This cellular configuration gives the user the ability to produce low-resolution visual effects, in addition to using the fixture as a high power wash light with a vast color palette.
PLASA will also see the launch of a major new software upgrade for PixelArt, which will make the system one of the most versatile display products on the market, the company says. This latest development will enable a PixelArt system to be used completely stand-alone, without the need for other set-up utilities or a media server to generate content.
www.pixelrange.com
Australian Distributor: Clearlight Shows www.clearlight.com.au

ArKaos introduces Media Master
Arkaos will be launching its latest media server software, Media Master, at PLASA08. Media Master has been designed specifically with show and lighting market in mind.
Built on ArKaos' latest generation of technology, Media Master runs perfectly and reliably on standard laptops or can play up to eight full frames-per-second HD movies on an octo-core server, says the company.
Media Master's new interface has been designed to give lighting designers and video artists "the best ergonomics possible". Designed around one single window, it is possible to display all playing layers simultaneously, giving designers improved visibility of their shows. Supporting MSEX (Media Server Extensions) protocol, the ArKaos Media Master allows thumbnail display of media directly onto modern lighting consoles.
ArKaos has developed a new media management system for Media Master which allows users to store up to 40,000 visuals in more than 200 folders, making it easier to manage different sets. In addition, better referencing allows users to delete files without having to re-stack a programmed show.
L&amp;SI Source L&SI Online www.lsionline.co.uk
Australian Distributor: Show Technology www.showtech.com.au

iPhone Lighting Calculators Announced
West Side Systems announces the immediate availability of three calculator apps for the iPhone and iPod touch.
DMXCalc converts DMX universe/address values to absolute DMX, or the reverse. A configurable dip switch display shows switch positions for the current address. When calculating addresses for a sequence of moving lights, the DMX address can be incremented or decremented by a user-defined amount with one button-touch.
PowerCalc calculates lighting or electric motor loads on single or multiple phases at any voltage. It can do simple watts-volts-amps calculations, balance loads across two or three phases, or use a power factor value to calculate inductive current loads.
BeamCalc calculates multiple factors related to light beam geometry. Height and base distances between the fixture and the focus point can be entered to find the throw and elevation angle. Entering a beam angle then calculates the resulting pool width, while entering a pool width calculates the required beam angle. BeamCalc will help to quickly evaluate equipment choices for any situation.
All three applications are available worldwide through Apple's online app store, and all require an iPhone or iPod touch with version 2.0 or later software update. Further information is available the website listed below.
Source Lighting & Sound America Online www.lightingandsoundamerica.com
www.westsidesystems.com/pocketlighting

W-DMX BlackBox debuts at PLASA 08
Wireless Solution Sweden will launch the W-DMX BlackBox S-2000 during PLASA 08. In addition to new gear, there will also be a draw for free W-DMX products plus "many more surprises."
The W-DMX BlackBox S-2000 is a 19" 1U Rack unit that is prepared for ACN Lite, ETC-NET and Strand ShowNET. This is billed as the world's first double universe transmitter that supports both RDM and Art-Net. BlackBox S-2000 is stackable for up to 32 DMX Universes and supports the W-DMX Co-Existence technology with plug-and-play ease.
With full RDM compatibility, the W-DMX BlackBox S-2000 supports remote addressing for up to 512 fixtures in both Point-2-Point mode in daisy chain by cable and in Point-2-Multi-Point mode. This translates to major time savings in big rental productions.
Wireless Solution will also be holding Wireless University during PLASA on Tuesday, 9 September. The seminar will be led by Niclas Norlén, R&D manager for Wireless Solution.
L&amp;SI Source L&SI Online www.lsionline.co.uk
Australian Distributor: ULA www.ula.com.au

Martin Professional at PLASA 08
Martin Professional will be heralding a new era in moving head performance at this year's PLASA exhibition with two 1500W luminaires in the award-winning MAC range; the MAC III Profile, the first product in Martin's third generation of MAC moving heads, with enhanced design, optical efficiency, colour mixing, and much more; and the MAC 2000 Wash XB, an extra bright version of the industry standard MAC 2000 Wash.
Also on display will be EvenLED, a modular LED system for even field projection; new hazers in the Jem and Magnum lines; and several new products and product updates in Martin's controller range. Martin will also show the Exterior 1200 Image Projector and new indoor and outdoor LED luminaires.
The MAC III Profile is the first product in Martin's third generation of MAC moving heads. It features a package of performance features, such as outstanding colour mixing with a broader colour range plus deeper more vibrant hues, a fat beam look, up to 75% more output than current 1200 W profile fixtures, wide zoom range, new gobos, animation effects, very fast effects and movements and low noise cooling.
The MAC 2000 Wash XB is now even brighter. Using a 1500 W lamp the MAC 2000 Wash XB kicks out over 60,000 lumens of power to make it 40% brighter than its MAC 2000 Wash brethren. New efficient fans, ballast and starter combine with tried and trusted MAC 2000 modularity, optics and effects to "produce the most advanced wash light on the market" - all housed in the same compact MAC 2000 design.
An upgrade kit is available that easily brings existing MAC 2000 Wash fixtures to the XB level of performance. The Upgrade Kit includes a new 1500 W lamp, lamp socket module, electronic ballast, starter, heat filter, fans for more efficient cooling, colour mixing module, base cover plates with new logo plus other minor parts.
Australian Distributor: Show Technology www.showtech.com.au

X-Rebel Par LED
The Rebel Par is the second product that has been released using Rebel LED technology. While the Rebel Module is designed for architectural use, the Rebel Par is designed for the theatre and television market.
36 pieces of Rebel 1 Watt LEDs in combination with 25 degree lenses provide very strong light intensities in 16.7 million colours. The Rebel Par provides large advantages for the television and theatre market due to the long lifespan LED chip, direct DMX control, low energy consumption (50w) and RGB colour mixing.
With an integrated power supply and DMX unit, it can be used much like par lighting. With its robust casing and supplied brackets, the Rebel Par is the ideal replacement for Par cans or traditional scans.
On the backside of the Rebel Par, users can set the correct DMX address, or select one of 10 standard programs. Furthermore, it has an IP65 rating, making it possible to use this product in outdoor venues.
www.cdaust.com.au

Rosco at PLASA 2008
This September sees the exciting introduction of a new colour to the Roscolux range of filters as well as 400 new gobo designs - steel designs, glass designs and new effects glass, which will be unveiled at Rosco's stand G47, during PLASA show, from 7th to 10th September 2008. Attendees will also see the innovative Lighting the Masters - a web based tool to provide inspiration for the lighting design process.
This summer Rosco releases the largest addition to its gobo catalogue by launching 400 new and unique designs: 194 new steel, 202 new Glass Spectrum and 12 new Effects Glass gobos.
Soon to be launched, Rosco's Lighting the Masters 'Gallery 1' is an example of art inspiring art. Based on an original idea by Jeremy Hoare, Rosco has put together a collection of paintings and explored their composition in such a way as to provide inspiration for the lighting design process. By relating Rosco's rich colour filter palette to the predominate colours within a painting, Rosco has created a web-based tool which can help designers realise their scenic visualisations, which will be presented at PLASA08.
Finally, the new colour added to Roscolux range of colour filters this year is Roscolux #381 - created with the support of lighting designer Mike Baldassari. See it at PLASA08.
L&amp;SI Source L&SI Online www.lsionline.co.uk
www.rosco.com

ELC brings latest lighting tools to PLASA 08
New DMX, RDM and Ethernet lighting tools from ELC will be on show in the White Light Zone in Earls Court 2.
Two of the new products, the DT125 and DT229, are designed for users looking to incorporate the RDM Remote Device Management bi-directional communication extension to the DMX512 standard into their lighting rigs.
RDM is designed to operate over existing DMX cabling, but requires new DMX splitters that can deal with the new communication from the lights back to the lighting controller. Both products are DMX/RDM splitters, DT125 offering one DMX input to five outputs, DT229 offering two DMX inputs with eight outputs. Both products also include a USB connector, allowing easy firmware updates if required as the DMX or RDM standards are revised over time.
The new dmXLAN node 3 extends RDM functionality to DMX carried over Ethernet; the unit is a DMX to ArtNet conversion node with three DMX in/out connectors and two Ethernet connectors, the node having a built-in Ethernet switch to increase its versatility. Ports can be configured for DMX in or out, with the DMX out supporting RDM. The dmXLAN node 3 is available in stand-alone, wall mount or surface mount versions.
Finally, the AC612 XUF fader module offers snapshot storage of DMX looks on to five faders, with two push keys then offering overall mastering with the ability to raise the overall look to 200% of the stored level. The AC612 XUF will also work with ELC's new PC or Mac editor software, which allows each fader to be programmed with timed sequences of up to ten steps per fader.
L&amp;SI Source L&SI Online www.lsionline.co.uk
Australian Distributor: Show Technology www.showtech.com.au

All new for Zero 88 at PLASA08
Following an intensive year of development Zero 88 is showcasing a host of new control products to PLASA 2008, with focus very much on theatrical lighting control.
After its initial preview at ABTT, Zero 88's Orb console is making its international debut. With a combination of theatrical control philosophy and an adaptable hardware platform, Orb provides intuitive control of both generics and moving lights. (Visit www.orbdesk.com for full product information).
Also launching at the show is a theatrical version of Zero 88's popular Jester consoles, bringing the power and flexibility of these consoles to those operating in theatre environments.
LightFactory PC-based console software will also be featured on the stand. New Programming and Playback wings are being launched at the show and visitors to the Zero 88 stand will also get a sneak preview of the latest software enhancements.
Other products show will be Zero 88's Chilli dimming system and a range of connectors from Cooper Interconnect.
L&amp;SI Source L&SI Online www.lsionline.co.uk
www.zero88.co.uk
Australian Distributor: Clearlight Shows www.clearlight.com.au

ETC Introduces New Unison system at PLASA
PLASA08 sees the European launch of ETC's new Unison architectural lighting control system, which, the company says, brings sophisticated and green-minded technologies to theatre house and foyer lighting control. The centerpiece of the line is the Paradigm lighting control system, which merges innovative advances in architectural lighting control with ETC's expertise in entertainment lighting control. Paradigm's library of lighting products (conventionals, moving lights, LEDs, and more) with touch-screen control helps create dynamic effects, while networking technology allows devices from different manufacturers both -- wired and wireless -- to inter-operate over the same control system. Placing control very firmly in the green arena, Paradigm's energy management tools capitalize on daylight harvesting, occupancy sensing, and time schedules for maximum electricity and budget savings.
Alongside Paradigm is ETC's SmartLink lighting control, billed as a high-quality, low-cost solution for smaller venues. The new SmartLink TimeClock, brings low cost, easy-to-use time of day control to ETC Unison, Sensor, and SmartPack dimming, the company says. Easily programmed for set-it-and-forget-it operation, SmartLink TimeClock enables the automatic activation of presets and sequences using real time or astronomical events.
Also on show at PLASA will be a new version of SmartSoft. Originally only for SmartFade ML, the new version covers SmartFade 1248, 2496, and 1296, and is compatible with both PC and Macintosh computers. SmartSoft allows users to connect their PCs or Macs to their ETC SmartFade lighting control desks via USB and gain live displays of show data, as well as direct data-editing tools. SmartSoft works as an offline editor and allows users to save SmartFade show files directly to the hard disk.
ETC will also introduce the 70W version of the Source Four HID family, and will remind visitors of the 375W HPL lamp option for the Source Four tungsten luminaires. Also on hand will be the Eos lighting control system and Ion, its compact sibling. Congo v5 will also be on show, and visitors to the stand will be able to experience its new effects package, graphics and handling, better editing tools, and other functions.
Also on display will be the new Suitcase module series from ETC's distributed SineWave dimming range, designed for repertory theatres and TV studios requiring true portable dimming. The high efficiency of the dimmer circuit, combined with its compact design and electronic protection, makes the Suitcase module particularly suited to distributed dimming schemes where a central dimmer room is unavailable or undesirable.
www.etcconnect.com

Australian Distributor: Jands www.jands.com.au

Avolites at PLASA 2008
Avolites' stand this year will show the Diamond 4 Vision and Elite consoles, the full range of Pearls including the Pearl Tiger, Pearl Expert and the new Pearl 2010 console, plus Avolites' new operating system, Titan.
Also being demonstrated is Avolites' ART2000 dimming range. In particular, Avo will be illustrating how racks can be custom configured to client's specific requirements.
The Pearl 2010 sees Avolites introduce a new contemporary streamlined look for its global bestselling console. This will include new graphics and an ergonomically curved front and back, complimenting the physical aesthetics of the Pearl Expert and Pearl Tiger consoles.
Developed from the original D4 Operating System, Titan adds new features to the Diamond 4 and brings powerful features from the Diamond 4 to the Pearl Expert. All Titan based consoles offer powerful functions like Fixture Exchange, Clone Fixture and Multiple Timers.
Fixture Exchange makes it quick and easy to exchange fixtures from one type or manufacturer for another. Clone Fixture enables the adding of additional fixtures into a show even after extensive programming, with all cloned fixtures inheriting their properties from the source fixture. Both functions require the minimum effort to learn and use and can be performed off line using the Titan Simulator.
Titan Expert for the Pearl delivers Diamond 4 features including Multiple Times on Cues and Memories on Preset Faders.
It includes the new graphical user interface, Matrix, making 'off line' tasks like patching and cue management faster and more intuitive, both on the move and at the console. Titan Matrix can be installed on laptops, optimising time spent at the console for actual lighting design and programming, whilst allowing shows to be prepared on a laptop away from the console. Titan also includes improved Simulator panels for use on and off line.
Hands on demonstrations of Avolites consoles controlling media servers will be taking place live on the stand at PLASA, utilising products from Arkaos, Green Hippo and Coolux, plus the new Addict server from Pixel Addicts - in action at Eden, Ibiza and Matter, the new superclub at the O2 Arena opening in September. Avo consoles will also be working with 4 leading stage visualization packages including their own proprietary Visualiser, WYSIWYG, Capture and Lightconverse from the Ukraine.
www.avolites.com
Australian Distributor: ULA www.ula.com.au
L&amp;SI Source L&SI Online www.lsionline.co.uk

New Products from Doughty
Doughty's released five new innovative products for 2008. TV Brace Weight - Doughty's original Brace Weight re-tooled for improved quality and a reduced price. Marquee Clamp - A clamp specifically designed to suit marquee beams. Scissor Clamps - An extremely useful clamp that will fit girders up to 120mm and 48 - 60mm round tubes. Twenty Clamp - Launched at Plasa 07 this clamp is already proving to be a very popular product. Easy Lift - An all new 3.8 metre wind up stand featuring a new twin cable winch and safety lock design.
To read more, click on the following link: http://www.cdaust.com.au/POW.html

Pro Shop LED Truss Warmer
Finally a truss warming system that really works; bright, narrow and easy to use…The Pro Shop LED Truss Warmer is perfect for colour toning your next truss application.
Featuring 9 x High Powered LED’s that are fitted with ultra narrow lenses for long throws of colour and to reduce the amount of light spill out the side of the truss. A narrow beam is important to increase the efficiency of the fitting by not “wasting” any light out the side as well as applications such as TV set design where colour spill is definitely one to avoid.
The unit features both 3 and 5 pin DMX connections to assist a quick setup and cable inventory ease, furthermore the unit allows a clamp to be bolted both on one of its side faces and its bottom face to allow multiple mounting options such as a “H” stand or a hook clamp to a side tube of the truss.
Price: $499.00 RRP
Australian Distributor: Show Technology www.showtech.com.au

World record in the Osram laboratory: quantum leap in the brightness and efficacy of white LEDs
Osram claim to have achieved new records in the laboratory for white light – 155 lm for brightness and 136 lm/W for efficacy (at 350mA). By improving all the technologies involved in the manufacture of LEDs, Osram development engineers have achieved new records for the brightness and efficiency of white LEDs in the laboratory. Under standard conditions with an operating current of 350 mA, brightness peaked at a value of 155 lm, and efficacy at 136 lm/W. White prototype LEDs with 1 mm2 chips were used. The light produced had a color temperature of 5000 K, with color coordinates at 0.349/ 0.393 (cx/cy). Potential applications include general illumination, the automotive sector and any applications that call for large high-power LEDs.
The key to success was the efficient interplay between all the advances made in materials and technologies. A perfectly matched system of optimized chip technology, a highly advanced and extremely efficient light converter and a special high-performance package combined to produce the world records - 155 lm for brightness and 136 lm/W for efficacy. The semiconductor light sources are also suitable for high operating currents. At 1,4 A they can produce up to 500 lm of white light. This means that the LEDs can later be used not only for general lighting tasks and automotive applications but also for LED projection as blue and green chip versions.
Dr. Rüdiger Müller, CEO at Osram Opto Semiconductors, commented: “It was the successful combination of Osram know-how in different fields that led to these new records in efficiency and brightness. Starting with the light converter we will be gradually moving the new developments into production”. Osram has already applied for patents for the technologies that lie behind these records.
www.osram.com.au

Artistic Licence Releases Upgrade for RDM DMX Splitters
Following the release of the RDM standard V1.0 protocol as the long-awaited successor to RDM draft V1.0, Artistic Licence has released an RDM splitter upgrade to convert its range of RDM splitters to support the new protocol.
With its customary foresight, Artistic Licence has been shipping its three RDM Splitters -- DMX-Split RDM, Rack-Split RDM and Rail-Split RDM -- with RDM draft V1.0 for the last five years in readiness for the moment when the RDM protocol had been finalized.
Now this moment has arrived, a simple upgrade module can transform all three Artistic Licence splitters to use the latest standard / HES version yet still be backwards-compatible to the draft version.
Customers can easily carry out the upgrade procedure themselves since it involves the replacement of a single chip only, with support manuals downloadable from the company's website.
"The upgrade will be especially valuable to customers who already own Artistic Licence RDM splitters and wish to upgrade them," says technical director Simon Hobday. "However, as more and more manufacturers are implementing RDM in fixtures and controllers, the infrastructure of DMX distribution will need to be upgraded. We therefore see this of particular advantage to those upgrading their DMX system as a whole or investing in new fixtures that use the RDM Standard."
RDM allows bi-directional communication over the DMX512 cable using the twisted pair connected to Pins 2 and 3, enabling RDM devices to send status and fault information back to the console. The bi-directional communication also makes it easier to mix DMX installations with sophisticated Ethernet protocols such as Art-Net or ACN.
RDM allows a console to set the base address of the lamp without the need for dipswitches. The console simply searches the DMX cable for all connected devices and automatically patches them. The console can also use RDM to download personalities direct from a moving light so there is no need to waste time locating fixture libraries.
All RDM splitter upgrade modules are unique to Artistic Licence Rack-Split RDM, DMX-Split RDM and Rail-Split RDM which, between them, provide solutions across rack-mounted, DIN-Rail or stand alone options.
All new RDM Splitter modules are shipping with the latest software included so no further upgrade is required.
www.artisticlicence.com
Australian Distributor: Balanced Technology www.balancedtech.com.au

Enttec’s New Program Wing for LightFactory
After two years in development, Enttec are proud to announce the long awaited Program Wing for LightFactory is now shipping.
The Enttec Program Wing is a purpose-built work surface for the LightFactory lighting control system. Featuring three encoder wheels and 62 dedicated keys for quick access to common functions, the Program Wing is designed for fast, intuitive and effective moving light programming.
Like the existing Enttec Playback and Shortcut Wings, the Program Wing is Ethernet-based and supports the free NMU program for simple configuration, making it quick and easy to set-up any number of wings in any combination or layout desired.
With the Wings series now complete, LightFactory is fast being recognised as a serious alternative to better known lighting control consoles on the market, with an equally serious price advantage. Capable of controlling up to 32,768 DMX Channels with ease, and featuring inbuilt LED matrix control and media playback, LightFactory is powerful enough for the most complex shows while still being simple and intuitive to operate.
The Program Wings are now available ex-stock from Balanced Technology.
For Availability, Pricing or Further Information, call Balanced Technology on 1300 305 832.
www.balancedtech.com.au

Irradiant Announces Lumens Breakthrough in Chip-On-Board Solid-State Lighting
Irradiant Inc. a division of Neo-Neon, announces a breakthrough in the development of core LED technologies relative to solid-state lighting (SSL).
In January, the company completed testing of its new 100W COB (Chip-On-Board) LED module. The company says that testing results have proven conclusively that the new 100w COB White LED reaches new heights in lumens efficiency. The 100W unit is already in use in the Revo, a moving unit from Neo-Neon.
The success of the product, the company says, stems from the structural design, the combination of a 10 x 8 array of 80pcs of LED chips. The array produces an output of 5,500 lumens from an emitting area of just 1.9cm2. By using silver epoxy, the heat dissipation can be solved quickly, providing a powerful point source that can be easily manipulated optically to provide a range of lighting solutions.
Irradiant Inc. intends to deploy this new technology on a new range of products, opening up new markets for the application of LED as a replacement to high energy consuming incandescent and discharge lamps.
www.irradianthq.com
Source Lighting & Sound America www.lightingandsoundamerica.com

LSC Releases Version 3 software for the maXim Console
LSC is proud to announce the release of Version 3 software for the maXim range of consoles. More than 30 bug fixes and enhancements have been made to improve the console’s functionality and ease of use.
New features in the software include support for USB flash drives and MIDI and support for trackball control of pan and tilt control will be added soon. The console’s fixture library size has been significantly increased by a factor of five to cater for the larger Fixture Templates found today and the number if fixtures it can now hold is up from 64 to 128 fixtures.
Also included in the new release is a complete rewrite of the console’s memory and performance monitoring system. This, and over two months of testing, has resulted in the most stable software system to date.
The latest software, for all sizes of maXim, can be downloaded from the LSC website at www.lsclighting.com/Software.html

Green Hippo and Barco join forces
UK-based media server specialists Green Hippo have teamed up with Barco to offer an integrated media server for the recently released Barco DML 1200 digital moving light. The DML 1200 is a very bright digital moving light, with a wide zoom-range and integrated CMY colour-changer that also has powerful projector capabilities. Barco says the new unit "tears down boundaries between projection and lighting."
This amalgamation of video and lighting capabilities combines Barco's projection technology with Green Hippo's widely recognised and user friendly Hippotizer V3 software technology.
According to Barco: "With its brightness, unlimited image selection and instant switching between light beam and video projection, cue by cue, the DML-1200 provides lighting designers with pure creativity at their fingertips. With its on-board media player, lighting designers are no longer limited to static, pre-selected patterns and colours. Any image, static or animated, can be created and projected at a touch of a button. The DML-1200 is completely controlled over DMX, when using the integrated media server as well as the live video inputs, allowing it to be driven directly from any lighting desk."
After nearly 10 years in Barco's R&D department, Joost De Frene has taken up the role of digital lighting product manager and says: "We are convinced that it is an advantage to have an integrated media server based on Hippotizer V3 and we make a point of mentioning this in all of our external communication."
L&amp;SI Source L&SI Online www.lsionline.co.uk

Zero 88 launch Phantom Jester
Designed to aid with both pre-programming and training, Phantom Jester allows users to manipulate an emulated desk on their PC and view the monitor outputs without a real desk. Show files can then be interchanged with the desk using a standard USB memory stick, for true offline programming. Every software function of the desk is emulated including Online Help and a front panel mimic allows you to interact with the software in real time. Beginners can benefit from the ability to learn the desk from the comfort of their home, whilst more experienced users can make use of the time prior to a production to enter patch information, build fixture palettes or even pre-program the entire show using the familiar user interface.
The launch of Phantom Jester coincides with the production release of version 2 software for the Jester ML range which includes additional pages of submasters, improved DMX In capabilities and improved monitor screens. A maintenance release for the Jester range (version 3.1) has also been made available. Due to the significant changes in code, show files built on versions of the ML software prior to version 2 are not compatible with version 2 software.
Phantom Jester, Jester version 3.1 and Jester ML version 2 can all be downloaded from the Zero 88 website.
www.zero88.co.uk
Australian Distributor: Clearlight Shows www.clearlight.com.au

ROBE Goes RDM
All Robe lighting AT, DT and RED Series fixtures actively communicate RDM (Remote Device Management) protocol, the ESTA defined ANSI E1.20 world-wide standard, in addition to DMX.
Robe’s new DreamBox is a small multifunctional twin RDM/DMX interface linking computers running Robe’s RDM NET software - via USB2 -  with the lighting rig.
The software will detect any manufacturer’s RDM talking fixtures on the rig, gathering their parameters, some of which can be changed, e.g. DMX Address, DMX Mode, Lamp hour count, Fixture Status, etc. Fixture parameters can be modified on single fixtures or groups of fixtures either before or during a show.
AutoPatch – fixture patching previously achieved by using the fixture menu screen is now a much simplified process whereby the rig is scanned for fixtures, the correct DMX addresses are applied and then uploaded to the fixture heads in a ‘one click’ operation.
New software updates can be uploaded to any Robe AT Series unit via the DreamBox.
It is ideal for prepping fixtures in the warehouse or pre-production before a show or a rental where set up time is extremely limited on site, and can also be used for resetting units to previously saved values on return from a project.
During a show, the DreamBox coupled with RDM NET enables the connected computer to act as a real-time monitoring/fixture status tool.
DreamBox can also be used with Robe’s Media Fusion software as a DMX IN device from any DMX console.
It is supplied in a rugged aluminium housing needing no external PSU, complete with the RDM NET software.
www.robe.cz
Australian Distributor: ULA www.ula.com.au

Phaseshift's Wingspanner
Australian Made WINGSPANNER
Are you tired of damaging threads on your Trigger Clamps?
Are you sick of breaking 1/4 turn wing bolts?
Then you need a Phaseshift Productions WINGSPANNER
NOW AVAILABLE $20 inc. GST
Contact Stuart on 03 8586 3444 or email stuart@phaseshiftproductions.com

New Software Makes Major Upgrade to HES Digital Lighting Line
Entertainment lighting and control manufacturer High End Systems (HES; Austin, TX) is today releasing v1.4.0 software for its family of Digital Lighting products including DL.2, DL.3 and the Axon media server. The release is the culmination of major improvements and upgrades to the Graphics Engine and core components within the XP Embedded Operating System (O/S) image.
“This new software represents a year’s worth of effort by our digital lighting team,” says Scott Blair, HES Director of Digital Lighting Development. “Beyond the performance improvements and features that we have included in this release, this effort provides a solid foundation for future enhancements to come in our digital product line.”
Improvements have been made to the Network Media Sync to allow multiple digital lighting units to perform in synchronized playback. Major improvements to In-Frame and Out-Frame seeking allow for precision frame selection. There is also added ability for Collage Generator to blend a 360-degree image.
Many improvements were made to the Windows Content Management Application system, which has been redesigned with a more user friendly interface. A new version of Mac CMA is now fully supported on Leopard O/S and Windows Vista.
Multiple selectable display output resolutions have been added to Axon, allowing greater connectivity to a wider range of display devices. In addition, Axon now supports SDI Capture. All new Axons shipping from HES now include SDI Capture Card as standard and existing users should contact HES for upgrade information.
All user manuals online have also been updated with this new information.
www.highend.com

grandMA ultra-light now has 2,048 parameters
MA Lighting has released its new free software version 5.91 that upgrades any grandMA ultra-light to 2,048 parameters. No matter if it is a new or already been used grandMA ultra-light. Nevertheless the price for the grandMA ultra-light "series 1" will remain the same. With this upgrade the grandMA ultra-light becomes an even more powerful tool for small and medium sized shows.
In combination with the MA 2Port Node the grandMA ultra-light offers the user some additional unique features:
1. Any MA 2Port Node model extends the two built-in DMX connectors of the grandMA ultra-light to four outputs.
2. When using the MA 2Port Node onPC PRO in combination with grandMA onPC there is a backup for the grandMA ultra-light that directly outputs two lines of DMX.
3. Use the grandMA ultra-light and MA 2Port Node onPC or MA 2Port Node onPC PRO with grandMA onPC independently to run two separate shows at the same time.
grandMA ultra-light offers one colour touch screen display, one external display, ten manual faders plus 20 physical play­back buttons (on 128 pages), free visualization software, support for up to six remotes and all the software features of the larger grandMA and grandMA light consoles including DMX universe expansion with up to 16,384 parameters (32,768 DMX channels or 64 DMX universes).
www.malighting.com
Australian Distributor: Show Technology www.showtech.com.au

HES Releases Wholehog Software v2.5.0; Adds third monitor support for Road Hog consoles
High End Systems announces the release of version 2.5.0 software for Wholehog control systems including the Wholehog 3, Road Hog Full Boar, Hog iPC, Road Hog and Hog 3PC.
Version 2.5.0 provides Road Hog console owners with the ability to add a third monitor through the use of an Iogear brand USB to VGA adapter. The adapters are available worldwide from computer stores or directly from HES dealers.
“We are pleased to expand the functionality of the Road Hog console in a simple and low-cost manner,” says Brad Schiller, HES Director of Control Systems Development. “The Iogear device allows users to easily add a single external monitor or Road Hog Playback Wing.”
Also included in this release are SHOWPIX libraries, several other features, an updated user manual and bug fixes. Users can download the software and further release information from www.flyingpig.com

i-Pix BB 7
i-Pix have created a brand new fixture - the BB 7 - a seven cell high powered homogenized 10 degree RGB lightsource which is being utilized by Radiohead’s lighting & visuals designer Andi Watson for the band’s world tour which kicked off in the US at the start of May.
Forty-eight of the BB7s are in various positions around the rig, including 25 in five custom 5-way frames produced by Specialz .
Watson, is also using 48 of i-Pix new production model BB4s on his front truss. This is a four cell high power homogenized 20 degree RGB lightsource.
Additionally, there’s 14 i-Pix Satellites with holographic film mounted on the floor in and around the backline to light the band at close quarters.
This project started when i-Pix’ Chris Ewington visited the US last October to see a new prototype narrow optic. He then showed Watson the BB 4 which was already in production in January this year, along with a test rig of the embryonic idea he had for the BB7 - without optics.
Once the new optic became available, Ewington sourced the first 12 and again met Watson in March, along with Radiohead production manager Richard Young and lighting crew chief Andy Beller, and showed the first prototype BB 7 with the new narrow optic.
Watson liked it and thought the fixture was exactly what he wanted, after which i-Pix priced up the project for Richard Young, and from this came an order to produce 206 fixtures (enough for 2 rigs) from scratch in just over 5 weeks!
The i-Pix team, having just undergone the 'birthing process' with the BB4, were well geared up for this challenge, and confident of delivery.
Ewington comments, “From our experience, most shows spend months in discussion and a maximum of 6 weeks in prep, so this timescale did not come as a surprise”. He added “Our first fixture, the Satellite was developed under similar circumstances to coincide with Radiohead’s last tour”.
The BB4 uses i-Pix new custom LEDs produced by Lamina, and the evolution of the BB series produced the building blocks - both electronic and mechanical – that could be applied to the new BB7 using the narrow optic.
They completed the production task with 4 days to spare, down to an exceptionally good team, some serious planning and pushing their subcontractors to the limits!
The design period was condensed from six months to 4 days, the components were produced in two weeks and the units built over two weeks. “It was not a case of penalties for late delivery” elucidated Ewington, “We just had to do it”.
“Andi put his trust in us before when he integrated PixelLines into his groundbreaking show for Radiohead back in 2003. He relied on us again in 2005 and in 2008 he really upped the anti!
“We all appreciated Andi taking a massive leap of faith in having the courage to dispense completely with conventional lighting in his show. Not having a single discharge or incandescent lamp in the design, sets a new benchmark at least a couple of years from what we had anticipated”.
Watson’s unique energy saving unique design uses the three i-Pix fixtures plus other LED products, all of which work seamlessly together to produce a stunning, headline-grabbing design.
“I always enjoy working with Andi” says Ewington. His professionalism, attention to detail and progressive approach to pushing the industry forward never ceases to impress. I often design fixtures with Andi in mind and consider him and his team as exceptional and very important to our industry”.
The i-Pix BB 4 is a four cell high power homogenized 20 degree RGB source, using a custom Lamina light engine produced exclusively for i-Pix by Lamina Ceramics in New York. It consumes 120 watts at 240 volts, on full power.
The BB 7 is a seven cell high power homogenized 10 degree RGB source, using the same Lamina custom light engine. This fixture consumes 210 watts at 240 volts.
Both fixtures feature 16 bit resolution for finer control of colour choice, which is in the billions!
www.i-pix.uk.com
Australian Distributor: Balanced Technology www.balancedtech.com.au

ETC Congo v5 Software
ETC's Congo v5, new software for Congo and Congo jr lighting control consoles, includes a new effects package, new graphics and handling and updated editing tools with additional functions and accessories. Congo users at theaters, TV studios and other entertainment venues will find a variety of new solutions for their multimedia lighting rigs, including new chase, dynamic and content effects. All are handled in new effect playbacks, which allow users to select and control them just like channels and record them into presets within sequences or on masters. Existing dynamic effects and chase-sequence settings also let users bring Congo work projects into v5 without any problems, according to ETC.
www.etcconnect.com
Australian Distributor: Jands www.jands.com.au

Very Bright LED Mover in the Pipeline from High End
High End Systems of Austin, Texas are currently previewing a video demonstrating Showpix, a new LED fixture conceived by product developer Richard Belliveau.
Showpix is a moving head fixture on the scale of HES’s Showgun, using 127 individually addressable 3 watt RGB LEDS.
The Showpix fixture has a built in graphics engine that controls all media playback, manipulation, etc. The fixture has a global layer and two media layers for full interaction. Many types of media can be imported via custom software that provides a visualization of how the content will appear in the fixture prior to uploading.
You can take a standard gif animation and upload it into the fixture where you can play it back or manipulate as you like.
Modes:
1. Standard (pan/tilt, global and two media layers) 70 channels
2. RGB Reduced (pan/tilt, intensity, strobe, and RGB) 12 channels
3. Pixel Mapping (pan/tilt, intensity, strobe and individual control of the 127 LEDs) 390 channels
4. Enhanced (pan/tilt, global and two media layers and individual control of the 127 LEDs) 451 channels
According to HES, Showpix will be shipping “very soon” and more information will be posted on the HES site in the next few weeks.
The impressive demo video can be seen at <http://www.highend.com/SHOWPIX/videoWMV.html>
Source: ALIA news team / HES web site / HES Forums/ Blue-room Forums / LightNetwork Forums.

Go Green with the MR16 LED Fixture from Lighthouse Distribution
The MR16 LED is an innovative sunken LED fixture. There are 3 models available that feature various sets of LEDs tailored for different applications, coupled with dedicated lenses that give a very high light efficiency and a uniform light beam.
Three easily interchangeable lens units are available offering different beam projection angles (Spot 10, Medium Flood 25 and Wide flood 40). These present a uniform beam with excellent surface coverage.
The MR 16 LEDs are available in three models:
1. MR16 Full Colour LED
The newest addition to the MR16 Family offers adaptable full colour technology combined with lenses for a perfectly uniform light beam. Each fixture features 3x3W full colour LEDs that can produce 16 million colours. These fixtures can be used as a colour changer using a DTS Power Supply/DMX Driver Z1. See below for more information on suitable power supply/DMX Drivers.
2. MR16 RGB LED
The MR16 RGB features 3x1Watt LEDs (1 red, 1 green, 1 blue) which can be used as an RGB colour changer using a DTS Power Supply/DMX LED Driver.
Power: Its easy!! Connecting the LED lamps to the Driver is fast and easy, thanks to the dedicated T-Box RJ12 connection system. One single Z1 power supply/DMX LED Driver can run up to 12 MR16 RGB/white LED lamps and 5 full colour LED lamps. The power supply/driver can then be controlled by your choice of an optional infrared remote control, a recessed wall controller or any DMX lighting console.
3. MR16 in White
The MR16 LEDs are also available in four different types of white to suit every application:
* White 3200-5500k, Has the white and amber LEDs.
* White 3200k- Warm white
* White 5500k- Cool White
* White 6800k- Daylight
Benefits of using LEDs:
* Long Lamp Life
* Durable
* Low Power Consumption
* Low Heat Output
* High Light Output
Want more colours? One Z1 Power Supply will provide power for 12 MR16 RGB and/or white LEDs or 5 full colour LEDs. To produce two different colours at the same time, simply purchase two Z1 Power Supplies. DTS also provide a Special Package called a Z4 Power Supply. It consists of 4 Z1 Power Supplies that produce four different colours and power up to 32 LEDs.
www.lighthousedistribution.com.au

MagicQ Consoles from Lighthouse Distribution
ChamSys offer a full range of exciting and innovative Consoles at world beating prices. Each Console utilises the powerful MagicQ operating system enabling shows to be programmed and played back on any MagicQ Console. This week we take a look at the MagicQ MQ50 Console, a reduced cost console for small theatres, schools and venues.
The MQ50 is the new addition to the MagicQ console range. The MQ50 takes the impressive functionality of the MQ100 and reduces it into a system 2/3 of the size and considerably lower weight.
The MQ50 has 10 playbacks each with FLASH, GO, PAUSE and SELECT buttons, and faders. Soft buttons, like those found around the touch-screen on MagicQ consoles are also provided, to enable selection of menu items and control of attributes.
The MQ50 is primarily targeted as a reduced cost console for small theatres, schools and venues. Thus, the MQ50 has a lower specification processor system, does not include a UPS, and has a simple construction. All connections are available on the rear panel, including a VGA socket for an external screen supplied by the user. This enables the user to choose between a low cost CRT monitor, a TFT, or one of the supported touch screens.
The MQ50 supports 4 direct DMX outputs. As with all MagicQ consoles additional outputs can be supported via Ethernet.
The MQ50 runs the same software as the other MagicQ consoles and hence the programming interface is the same. Show files are completely compatible.
Why not accessorise?
MagicQ Playback Wing
Extend your MagicQ Console with one or more extra Playback wings. MagicQ Playback Wings connect to MagicQ Consoles via USB. No extra software required, just connect the Wing to the Console, enable the wing in the Console options and the Playbacks are ready to control your show. With up to eight Playback wings you'll never run out of playbacks.
ChamSys have a range of intelligent lighting controllers to suit every application.
www.lighthousedistribution.com.au

LED Strobe Projects Brilliant White Light
The LED Strobe is a high output strobe light that uses 192 LEDs to create stunning bursts of brilliant white light. This creates a classic slow motion effect and is a popular visual tool for live performances and dance floors.
Flash speed and dimming can be controlled via DMX or the unit can be run stand-alone, sound active or linked together. In addition the fixture offers fascinating chase patterns which when used in sequence provides a nifty visual effect that flows left to right or vice versa. With their low power consumption, long lamp life and flexibility of use, LED fixtures are enjoying a rise in popularity. The Light Emotion LED range now numbers over
25 wash and special effects with vast improvements being made in performance and controllability. The LED strobe includes 12-month warranty, mounting bracket and is sold at $279 RRP. Stockist enquiries can be made to sales@industrygear.com.au

LSC E24e24 Hot Power Touring Dimmer Offers 24 Channels of Free Power Distribution
LSC Lighting Systems introduce the world's first high spec Touring System with 24 channels of combined power distribution and high quality dimming with Active Triac Control. Virtually any load you want, all from the one box.
The optional 24 ways of HOT POWER(TM) is completely independent from the dimmer circuitry and is ideal for plugging up your Moving Lights, Strobes, Practicals and any other loads that require straight mains power. This new Patent Pending technology dynamically distributes the power to the appropriate patch output as required thereby making the e24 one of the most versatile dimming and power distribution systems on the market today.
Alongside the HOTPOWER(TM) option the e24 includes: 24 channels of 13A dimming which is 100% duty cycle, LSC’s unique Active Triac Control (ATC(TM)) circuitry and Current Control Technology (CCT(TM)), giving users the ability to drive virtually any reactive or inductive load seamlessly and avoid the nuisance tripping of MCB’s normally caused by Inrush currents. Along with the option to include LSC’s ‘Houston’ (Remote Monitoring Software) and ePlates (remote wall stations) to externally record and recall memories, e24 V2 HOTPOWER gives users complete control of their dimming system. The e24 has an extensive patch field, auxiliary power output circuits, mains distribution and professional flight case.
www.lsclighting.com.au
Source: LSC media release

ARRI Lighting introduces the New True Blue Location & Studio Fresnels
True Blue by ARRI is the newest generation of ARRI’s lighting product range, representing an unprecedented evolution of studio and Tungsten fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from respected lighting professionals, combined with great advances in technology, ARRI introduces a selection of highly innovative lampheads with over 30 new improvements for studio and location lighting. Reduced weight, compact size and maximum light output are just a few of the benefits.
While the overall weight of the TRUE BLUE fixtures has been reduced, there have been no sacrifices to quality; in fact many components now offer greater strength and resistance to corrosion. Maintenance and repair are facilitated by simplified access to internal components, and the smooth lamp housing surfaces are now easier to clean.
One particular focus of enhancements to the lampheads has been their adaptability to accessories. The tilt lock has been dramatically improved by a stainless steel friction disc that locks tight to eliminate the danger of forward tilting when heavy, front-mounted accessories are in use. In addition, a new stirrup centre adjustment allows the lamphead to slide until its centre of gravity is either at or near the tilt lock, depending on the accessories attached.
The new Stegmaier connector, a rotatable cable outlet, permits swift adjustment between ideal cable orientations for both ceiling-grid and floor-stand mounting. Improved barndoors are stronger, less susceptible to bending, and can be inserted vertically without being damaged when the lamphead is placed on a flat surface.
ARRI’s new patented cross cooling system, which encourages a stream of air to pass around the Fresnel lens and into the lamphead from the front, has reduced the lamp housing temperature of TRUE BLUE units by 25% and the lens temperature by 17%.
The models ready for launch at NAB in Las Vegas are: T1, T2, T5, ST1, ST2, ST5
www.arri.com
Australian Distributor: Cine Equipment www.cine-equipment.com

Chroma-Q Launches Color Punch Compact LED Wash Light
The Chroma-Q LED range has been extended with the launch of the new Color Punch -- a compact IP65 fixture delivering bright wash light results suitable for a wide range of indoor and temporary outdoor applications.
The Color Punch is extremely powerful for its small dimensions, providing a very punchy 1,250 lumens output housed in an IP65 rated, tough machined aluminum and high-impact plastic casing, the company says. The fixture also features convection-cooling for completely silent operation in theatres and other noise-sensitive lighting environments.
The unit features a single LED head of RGB cells and a 22 degree beam angle for an even coverage of surfaces. In addition to RGB and Fx HSI (effects, hue, saturation and intensity) control modes, the Color Punch also features a five-channel strobe RGBI mode for separate adjustment of the fixture's intensity level, and a mode for selecting stored looks via DMX.
For ease of use, the Color Punch has a built-in power supply and a choice of standalone or DMX-control, making setup very quick and simple.
The Color Punch comes supplied with a versatile yoke attachment, enabling units to be floor, truss or wall mounted to provide blinders, footlights, side fills, truss toners and discreet set piece lighting -- all from just a single fixture. An optional clip on lens media cover accessory is also available.
L&amp;SI Source L&SI Online www.lsionline.co.uk
www.aclighting.com
Australian Distributor: Jands www.jands.com.au

Fibre Optic Chandelier
The chandelier is a stunning centrepiece and its decorative features are becoming an attractive addition to interiors. Historically, a chandelier was a glittering white glass centrepiece hanging in opulent surroundings, but Lighthouse Distribution can supply different interpretations of this traditional form of lighting for a contemporary market using fibre optics. They can be purpose built to compliment all interior layouts to deliver maximum impact in foyers, stairwells, dining rooms, and public spaces.
A Fibre optic chandelier itself is completely maintenance free and can be powered by several different types of lamps including, metal halide, halogen or LED sources. The type of lamp used will effect how much maintenance the lamp requires, as lamps with a longer life cycle will require less maintenance in the long term. Our lamps offer lamp life from 2000 hours for halogen lamps, up to 50,000 hours for LED sources.
The construction of the chandelier allows the lamp to be placed up to 15 metres away from the chandelier. Light is transmitted from the lamp through fibre optic light guides to the pendant. There are many variations of the pendant to suit all tastes and applications. With fibre optics, you can add a splash of drama and colour to transform a normal environment into something unique and vibrant.
www.lighthousedistribution.com.au

Alpha Wash Halo from Clay Paky
The Clay Paky Alpha Wash Halo is a 1200W* warm halogen lamp with true colour mixing and extensive optical zoom. Perfect for film, television, theatre, concerts and corporate events, it offers the exceptional lighting experience and reliability expected from a Clay Paky fixture.
The Halo includes a large linear zoom of 14° - 64° as standard. This is substantially larger then its closest competitor, which has a zoom of just 18° - 40°. It also features linear frost, strobe option, electronic dimmer, an indexable beam shaper and motorised top hat for perfect beam control. All these features make the Halo the perfect choice for maximum flexibility.
The Halo provides all the advantages of a halogen lamp, including a smooth, uniform colour field, warm colour tones, energy saving option and gradual dimming, creating an ideal solution for any application that requires a warm uniform light beam with soft edges. However, Clay Paky goes further to provide an 80V lamp as standard, offering an even brighter solution.
The Halo has CMY colour mixing, allowing a vast array of colours to be generated from a single source. This provides some of the truest colour mixing available, including a fantastic blood red and congo blue.
Most importantly, the Alpha Wash Halo offers the proven reliability of a Clay Paky fixture. As the Halo has been on the market for sometime, it presents the buyer with proven reliability compared to similar products that have more recently hit the market.
* Also available in a 1000W Model.
www.lighthousedistributio